Giselle

When her niece is cast in The Philadelphia Ballet’s production of the Nutcracker, a jaded ex-ballerina is forced to come to terms with the life and love she left behind.

An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).

Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

George Carlin is in top form with these stand-up recorded at the Beverly Theater in Los Angeles in 1986. Routines included are "Losing Things," "Charities," "Sports," "Hello and Goodbye," "Battered Plants," "Earrings," and "A Moment of Silence." Also included is a short film entitled "The Envelope" co-starring Vic Tayback.

Fedoras, mom's underpants, and puppy love all make Jim Norton's s**t list in 'Mouthful of Shame'.

Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wright’s sensitive staging and John Macfarlane’s designs, which beautifully contrast the human and supernatural worlds – mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House

An aging salesman is fired from his job after a long career in it. Broken, without much to look forward to, he tries reconnecting with his wife and kids who he had always put down as he dedicated himself to work.

The Best of Aldo Giovanni e Giacomo

Tchaikovsky: Swan Lake – The Royal Ballet

In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.

Live concert of the french musical with original cast.

ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.

Steve Martin's fourth NBC special was in the spirit of his previous association with Saturday Night Live. It was broadcast live from Studio 8H, produced by Lorne Michaels and featured some original cast members of the show.

Grammy-winning artist Tyler, the Creator performs the critically-acclaimed album Call Me If You Get Lost, which debuted at #1 on the Billboard 200 charts in downtown Los Angeles on March 31.

George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people are stupid, Cancer, Feminists, Good Ideas, Rape, Life's moments, and organ donors.

The Concert in Central Park is a live album by Simon & Garfunkel. On September 19, 1981 the folk-rock duo reunited for a free concert on the Great Lawn of New York's Central Park attended by more than 500,000 people. They released a live album from the concert the following March (Warner Brothers LP 2BSK 3654; CD 3654). It was arranged by Paul Simon and Dave Grusin, and produced by Paul Simon, Art Garfunkel, Phil Ramone and Roy Halee. The concert was also shot on videotape, televised by HBO in 1982, and subsequently released on various home video formats. The VHS and DVD contain two songs that were omitted from the live album: "The Late Great Johnny Ace" and "Late in the Evening (Reprise)". "Johnny Ace" was disrupted by a fan rushing the stage who came very close to attacking Paul. This incident was both frightening and coincidental, as the song is an elegy upon the murder of John Lennon just one year earlier.

Ella Fitzgerald visited Australia back in 1960. Gracefully stepping up to the microphone for the celebrated television event 'The BP Super Show', hosted by musician and entertainer Horrie Dargie, Fitzgerald delivered a mellifluous set of legendary songs in an intimate concert setting at The Embers Nightclub in Toorak Road, South Yarra Victoria. This rarely seen B&W television treat is considered to be one of the earliest audio-visual recordings of the 'First Lady of Song', backed by the smooth sounds of the Lou Levy Quartet. Beside Fitzgerald's performance of 14 memorable Jazz and Blues classics, the program also contains original BP musical interludes and jingles from the Horrie Dargie Quartet.

On 7 May, churches, school halls, and back rooms of community centres will be turned into polling stations, staffed by council workers and volunteers. A church polling station is the backdrop for a real-time play for theatre and TV, called The Vote, staged at the exact moment in which the action is set - the last 90 minutes before polls close.

Actress JoBeth Williams directed this Showtime family feature starring The Sixth Sense's Mischa Barton for Barbra Streisand's Barwood Films. Barton is Frankie and Ingrid Uribe is Hazel, Frankie's neighbor and best friend. Frankie is an orphan who lives with her imperious grandmother, Phoebe (Joan Plowright), while Hazel lives with her father and older brother. Frankie's mother was a prima ballerina--killed in a car crash along with her father--and Frankie's been following in her toe shoes ever since. Although she's the best dancer in her class, she'd rather play baseball, whereas Hazel's a local activist who'd rather be mayor. The story strains credibility when 13-year-old Hazel runs for office against the middle-aged incumbent, but Frankie's goal is more understandable, and both actresses make their characters sympathetic and believable. It's as hard not to like them as it is not to root for them to succeed.

Timeless: Live in Concert, recorded at her Las Vegas show on New Year's Eve 1999, takes as its subject the star herself. It opens with a dramatization of her first, amateur recording session, with young Lauren Frost playing a part described in the credits as "Young Girl," though Streisand later refers to her as "mini-me." Frost doesn't get too far before being joined by Streisand herself on a stirring version of "Something's Coming" from West Side Story. The rest of "Act One" traces Streisand's career from her club days to her movie performances. "Act Two" has less of a narrative structure, though it is equally autobiographical, with Streisand displaying and commenting on videos of herself performing with other stars and building up to the stroke of midnight with a combination of old, recent, and new specially written songs. At 57 that night, Streisand remains in good voice.