Africa Addio

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Mémoire entre deux rives

The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.

The third installment in one of the most disturbing shockumentary series ever made, and it gets even more sick! Includes an autopsy of an unfortunately real dead infant, a cooking tutorial on road-kill, a walk-through of an abandoned house cleared after the homicide of an exchange-student, and a video of re-enactments of workplace incidents.

Si-Gueriki is the story of the confrontation of a young man with his history, his roots and culture.

Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.

In 2007, Beau attempted to paddle 4000kms from one side of Africa to the other. Starting in Mozambique, he continued along the Southern African coast, allowing five months to complete the voyage. Battling surf, deep sea swell, and too many days waiting for the wind, Beau only completed 2000kms of the original plan.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

The film documents the night life scenes of both Hong Kong and Macau, from nightclubs, sauna baths to young ladies making category III VCDs.

The Ebola outbreak in West Africa seen through the eyes of the local populations, village officials, aid workers, the sick and those who recovered.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.

The Happy Island looks at the work of the London Missionary Society on Gemo (now Hanudamua) Island in Port Moresby harbour, Papua New Guinea, which from 1937-1974 treated people who suffered from infectious diseases, mainly leprosy and tuberculosis. The film offers insight into the attitudes and practices of Christian missionaries of that time. Despite the colonial paternalism that underpins the Missionary Society’s model of care, the film tells the story of a happy, active community, as it follows the lives of the patients, their families and the dedicated staff, all of whom live, work and socialise on the island together.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Documentary about sub-Saharan immigration in Spain and Argentina focusing especially on the Senegalese community

Documentation of the encroachment of European settlers upon Native American lands and the violent reaction of the Indians in their struggle to survive.

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