Return of the One-Armed Swordsman

A giant stone statue comes to life to protect the residents of a small town against the depradations of an evil warlord.

Following the trail of a samurai ancestor, two Japanese businessmen on a quest for spiritual fulfillment arrive in Africa with a group of tourists, only to get kidnapped by the local guerrilla leader. A tough mercenary must rescue them.

Inspector General Kanjuro Sano conspires with the future shogun twin brother. They replace Ieyoshi Tokugawa with his twin, but it becomes a problem when suspicion arises and Nemuri Kyoshiro gets involved.

Two detectives are tasked to investigate the murder of an old man, found bludgeoned to death in a Tokyo rail yard.

A businessman with a disfigured face obtains a lifelike mask from his new doctor, but the mask starts altering his personality and causing him to question his identity.

Two middle aged German brothers - one New Age and recently divorced, the other uptight and sceptical - travel to a Zen monastery in Japan in search of enlightenment, or perhaps just in search of themselves.

Teenage assassins Mahiro and Chisato visit the coastal city of Miyazaki for a contract and a vacation, but they unexpectedly cross paths with a legendary, bloodthirsty assassin looking to add to his kill count.

Melvin Junko was a nerdy weakling until he fell into a vat of toxic waste, turning him into the first ever superhuman creature from New Jersey. This time, he takes on Tokyo.

A hit man looks to protect the daughter of one of his victims against CIA assassins.

The show follows the early years of Japanese warlord hero Oda Nobunaga in the 16th century. As a young man Oda was not seen as the right heir to the Oda clan, but through a masterful political marriage arranged by his father, Oda Nobunaga not only gained influence, he also became the Daimyo who joined the three imperial counties to unite Japan.

Two young brothers become the leaders of a gang of kids in their neighborhood.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

When George Tanner does business with high-ranking Yakuza Tono, Tono kidnaps his daughter, and George summons his old friend, private eye Harry Kilmer, to Japan to investigate.

Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.

Kaiji (played by Tatsuya Fujiwara) is about to have his life changed. The thrill is beyond anything he, or most people, have experienced. The adventure is not without risk and danger however. He is given four games, which are challenges, and include life and death situations. The film follows its prequels and things will get both mental and physical.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

Tough contract killers and secret organizations operating worldwide in a murderous battle for a relic that hides much more than just a simple instrument. The merciless hunt for the guitar of the "King of Rock'n Roll" leaves a trail of violence and death in its wake.