Entre el cielo y tú

Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.

A dramedy about Carla, an aspiring singer estranged from her family, who hopes to find solace by attending her father's funeral.

Two couples have double-booked a weekend cottage - and when a therapist uses changework techniques to cure anxiety, the ex-military boyfriend is not best pleased.

The efforts of a community to build a bridge which would allow their children to go school during the rainy season.

Monica is a social worker in Mexico City, whose son has a degenerative illness in both eyes. Having exhausted all other options, a corneal transplant is the only hope. Overwhelmed by the slowness of the health care system and the scarcity of resources, she decides to search for an extreme solution in her work environment: the world of street children.

A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him, and lead a better life outside NYC.

What happens when a director and his six friends come up with stupid ideas? They become shorts.

Teenager Carmín lives in a mountainous village in the center of Puerto Rico with her tough and conservative grandmother. Her mother left for the US without her. The arrival of her father, after long years in prison, eases Carmín’s profound sadness. The relationship with him, however, brings its own ambiguousness and complexities and as Carmín moves into womanhood this causes great confusion, mostly for her.

A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.

A family relationship drama about a strict father who wants to control his son, who in turn leaves his father's house and moves to the city.

Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzmán (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers-in-crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street. (FILMAFFINITY)

Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.

In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to "own" the neighborhood streets. Tensions are high between the gangs but two romantics, one from each gang, fall in love leading to tragedy.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

An irreverent group of teens - Thirty, Whoopie, Headguy, Pinky, Stinky, Jumbo, Giggles, and James - are thrown into a two-day panic-induced adventure after one of them discovers she's pregnant.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)

A boy meets a new friend thanks to a bouncing ball.

A single mother goes out for a run and never returns.

Presents three barrio stories: "La familia del Camello" about a public residential basketball coach and his dilemmas, "El baila'o de Julia y Berto" about two neighbors trying to rediscover love in their maturity, and "El rumbón de Fepe" about a man who has to choose between his barrio and the woman he loves.

A young woman flees just before her wedding day and disappears to avoid facing the consequences of her actions.