Gubbaare

Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.

Shakespeare wrote this fantastic comedy in 1594. It features Lysander and Hermia, whose love is thwarted by Hermia's father, who wishes to marry her off to Demetrius, himself loved by Helena. In a magical forest, the couple cross paths with Obéron, king of the elves, who is quarreling with his wife and in possession of love potions.

A feature documentary set in Kigali, Rwanda, the epicenter of the genocide that left a million dead two decades earlier. The film follows eccentric retired Dartmouth Professor Emeritus, Andrew Garrod, as he mounts Romeo and Juliet with college students from both Hutu and Tutsi backgrounds. Hopes, expectations, pasts, personalities and cultures collide as opening night approaches.

Shakespeare’s romantic comedy is re-told in the Caribbean and brought into the 21st Century when Theseus and Hippolyta, returning Nationals, come home to Barbados to be married during Crop Over festival time. The island’s early history, folklore, culture and stunning landscape, lends itself perfectly for the mysticism, comedy and chaos that ensues, the night before the nuptual celebrations.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

A young man upsets his Punjabi family when he falls in love with an Irish schoolteacher.

Charming full text, modern, location based screen adaptation of William Shakespeare's play Twelfth Night.

After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.

A live performance of the tragedy "Titus Andronicus" by William Shakespeare. Set in Roman times, the play deals with the bloody revenge of Roman general Titus Andronicus for the atrocities committed against his family by Tamora, the captive queen of the Goths, and her faction. Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare's early career, and is written with a ghoulish energy he was never to repeat elsewhere.

Pakistan - present day, a Stranger in a bandaged mask embarks upon a random killing spree with a gun. After shooting eight people dead, he realizes that nobody seems to care about what he is doing. So he gets onto a TV show with a plan to kill himself live on air. A Filmmaker emerges from this dream, with no mask, gun or dead people. Just a camera in his hand. Then his real troubles begin. Persecuted, paranoid and on the run, the filmmaker becomes confused whether he is still trapped in his dream, or whether Pakistan itself might have lost grip on reality.

Good Morning, Karachi is the story of a young girl (Amna Ilyas) who wants to be a model while struggling towards her dream against the backdrop of the Benazir Bhutto assassination.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Two households, both alike in dignity, in fair Verona, where we lay our scene. Through the modern lens of equality, Romeo and Juliet change on screen.

An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.

The film is a contempary-set version of William Shakespeare's play As You Like It.

One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.

Shakespeare's As You Like It is a delightful romantic comedy , lavishly staged by the renowned Stratford Festival. A favorite with audiences throughout the centuries, this fairy tale is a brilliant magical celebration of romance, passion and unity. Pitting young love against the vanity of the court. It is the familiar story of exiled lovers reunited, of woodland meanderings, of mistaken identity and disguise, and of political wrongs set right. As in all of Shakespeare's plays, this is a story rich in mythology which deals with the transformation of souls from evil to good.