Out in the Woods

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.

A suburban American woman inherits her grandfather’s Mafia empire and, guided by the Firm’s trusted consigliere, defies everyone’s expectations, including her own, as the new head of the family business.

A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during World War I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies various parts of the image, so that the movement of bodies across the frame begins to carry the weight of exile, mourning, dispossession.

Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.

Inspired by their beloved Dolomite area in Northeast Italy, a battle theater in World Wars I and II, Gianikian and Ricci Lucchi continue to explore issues of war and peace in their most recent production. The film uses shots of ordinary toys found in the area, many missing limbs and other pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the postwar era.

In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to fight among themselves.

This montage, based on a 1920s pornographic film from the Pathé-Nathan company, uses old prints worn and scratched by generations of projection.

Many people are preparing their lives for a lifetime, to make it safe and secure. And then the fate's game of 24 hours can overturn everything.

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.

One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.