Pies de gato

Santo, the saint of the wrestling ring, faces off against an evil voodoo priestess intent on making a more powerful atomic bomb!

When a hostage rescue mission creates a new enemy, Capt. Guerrero and his elite soldiers must face an ambush by a criminal group.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Calpuina is a night-watchman in a wharehouse, a perfect job for him. When some thieves break in and steal some crates, El Santo is after them because they are using the wharehouse for diamond smuggling. Capulina hinders their capture. Then he decides that he will put on a wrestler's mask and help El Santo to caputre the crooks.

Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.

Segment "Niños vírgenes": Story of some very hot students both at school and outside of it. Segment "Bajas pasiones": Adventures of a dwarf and his wanderings thanks to his great friend. Segment "Escuela de platanito": The famous school of "Platanito" and his friends with some very hot classes.

First story: A parody of Romeo and Juliet told by Radamés de Jesús as Romualdo, and La Wanders Lover as Juliet. Second Story: A typical Mexican story showing the life a henpecked husband lives.

A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."

A young widower is deported as his daughter is scheduled for a heart transplant, this will lead him to orchestrate the boldest border crossing plan in history.

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

“Maria, I'm dying!” is a comedy about a hypochondriac man, the only being in the world capable of even terminal colds, and his wife who has to put up with it until he decides to do something about it. The fear of death has never been so fun.

Two young men get involved with some criminals while trying to free the tycoon they kidnapped.

A group of friends on a hunting trip, staying at a cabin in the middle of nowhere start being attacked by a beast.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

After mistakenly going to jail, Maria makes friends with a woman whose kids live in the streets and Maria gets the idea to help them.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.

The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.