Ghostumentary

It is a typical day in the life of actor Kazuki Shimizu when a gun is found inside his bag, leading to all sorts of trouble for him. A Day of One Hero is a direct-to-video film starring Kazuki Shimizu as himself in a mockumentary of his acting career as Don "Doc" Dogoier in the Super Sentai series Kaizoku Sentai Gokaiger. The film also features cameo appearances by Tokusatsu veteran actors Yoshio Yamaguchi and Nao Nagasawa.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Nana

An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.

Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.

This comedy is about two best friends, one very pretty the other not so much. When one friend passes away, she returns as a ghost to be with her old pal, and things get complicated when they have to share the same body.

Between the ages of two and three, children already know which gender they belong to. One in 10,000 males and one in 40,000 females feel the opposite gender to the one they were assigned at birth. The first signs of transsexuality can appear very early. The families of all the protagonists in the documentary agree that their children have, almost from the moment they began to speak, expressed with surprising insistence and firmness that they belonged to the sex opposite to that of their genitalia.

Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.

Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!

A documentary that explores the challenges that a life in music can bring.

After being possessed by the ghost of vengeful hitman Kudo, college student Fumika Matsuoka agrees to help him finish his quest for revenge from beyond the grave.

Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.

Michael Grade tells a tale of television skullduggery and dirty dealings in the battle to win the Saturday night ratings crown.

A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.

"‘F1: How it was’ is a thrilling, action-packed, insightful documentary into some of the sport’s finest races, despite the lack of budget or theme, Duke Video deliver on providing fans with an entertaining documentary that would make the perfect gift this Christmas." - Joshua Suttill, www.readmotorsport.com

Philomena Cunk is on a festive mission to track down the true meaning of Christmas, and find out exactly what it wants. It's an insightful documentary which takes her on a journey from pagan winter festivals and the nativity story, via 'Sir Charles Dickings', all the way up to today's obsession with Santa. Along the way Philomena will be grilling a variety of experts, trying to expose the truth about Christmas, such as why people still put up with 'brussels sprouts'.

Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.

A story about a burned-out sketch comedy director who quits a comedy troupe only to return to the theater for another show and encounters the same problems with the cast. This film is a Prequel to this Show Can’t Go On