Good Grief! Cancer Boy!

Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, The Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, The Butcher returns to Paris to find his daughter.

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.

Following the death of their mother, one sister tries to convince the other that she isn't really gone.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.

A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.

After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

This LOST film was Clara Kimball Young's first feature, and her last film for Vitagraph, where she had made all of her short films. It was a sensational success and launched her as the most popular star that year. Its Russian setting was drawn upon by Young for many more of her features. Two short clips of the film exists in Warner Brother's 1931 Vitaphone short "The Movie Album," and have been mounted on Internet Archive and Google Video. One scene shows the meeting of Helene's terrorist cell with an extra alleged to be Leon Trostky. The other clip appears to be when she and Lennox are visiting the Weletsky's. (cont. http://web.stanford.edu/~gdegroat/CKY/reviews/mow.htm)

An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

Soon after being named the new leader of his high school's gang system, Kujo grows bored with the violence and hatred that surround him. He wants desperately to abandon his post… but his once-enviable position of power has a strange way of making him feel powerless.

Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.

A schoolboy starts to wonder, “Who am I?” He notices that everyone around him—his classmates, teachers, and even his parents—are wearing strange masks. He feels different and confused. As he searches for answers and tries to understand who he really is, the world around him becomes more and more strange. This Kaber Vasuki Mugamoodi music video explores themes of identity, pressure, and how society sometimes forces us to hide who we truly are.

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?

Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.

Chronicles three years of a middle-class family seemingly caught up in their daily routines, troubled only by minor incidents. Behind their apparent calm and repetitive existence, however, they're planning something much more sinister.