The White Helmets

She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking view of Canada from coast to coast. Showing the varied terrain, from craggy coast to towering glacier, the film illustrates Canada’s pristine wilderness as well as today's industrial and urban realities. Canada the Land was specially commissioned for the Canada Pavilion at the Osaka World Fair in 1970.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

The film is set during World War II in a German-occupied European country. In a covered truck on a snow-covered road, the Germans are transporting a group of civilians. Thoughts of imminent death inevitably visit the passengers of the van. The Catholic priest accompanying the arrested, among whom there is a boy, prepares the companions to leave for another world. A complex psychological conflict arises between the priest and the boy. Circumstances develop in such a way that the boy manages to escape.

A Danish officer, Michael, is sent away to the International Security Assistance Force operation in Afghanistan for three months. His first mission there is to find a young radar technician who had been separated from his squad some days earlier. While on the search, his helicopter is shot down and he is taken as a prisoner of war, but is reported dead to the family.

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Pro basketball player Giannis Antetokounmpo narrates his journey reconciling himself with his roots between cross-cultural worlds.

A history of the French Revolution beginning from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. Part one spans the event until August 10, 1792 (when the King Louis XVI lost all authority and was imprisoned). Part two carries the story through the end of the terror in 1794.

This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.

Gonzalo Suárez: Sam Peckinpah, director salvaje (TV)

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".