Tater Tot & Patton

Natalie and Joshua appear to be the picture-perfect couple, but looks can be deceiving. When Natalie discovers her husband has led a secret life, she is forced to deal with losing everything she loves. Newly divorced and soured on relationships, Natalie is picking up the pieces of her shattered world. In the process of healing, she meets a new man who challenges the boundaries of her trust and her ability to fall in love again.

Two very different brothers: Gregor (32) and Pietschi (30). Whereas one is reliable and committed, the other is spontaneous and aimless. Gregor is married and is a good doctor; Pietschi in contrast is something of a ladies’ man and a hedonist. According to tradition, the two see each other at least once a year for a weekend of sailing. But this year Pietschi drops out without leaving a message, and simply disappears. Gregor’s life goes on, but he is confused and searches everywhere for a sign of his brother’s whereabouts. The more Gregor realises how little he knows about his brother, the more he becomes fascinated by these things he doesn't know. And the longer Pietschi remains missing, the more obsessed Gregor becomes with his brother’s fading echo, even going so far as to try and slip into his brother’s life. But what happens when one of them suddenly disappears from the mirror image? Can the other continue to be the person they are. Or rather, were?

After a dark night, a man considers his options in life

Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

Once upon a time, in a far, faraway place, there were two lands. The world was divided into an inner land and an outer land. People feared the outer land, inhabited by eerie beings, the carriers of curse. One day, on the border to the inner land inhabited by humans, one such being finds a girl on heaps of abandoned dead bodies. The girl says her name is Shiva and shows affection to the "being" who found her, calling him "Teacher." This is a story of two people—one human, one inhuman—who linger in the hazy twilight that separates night from day.

Dolores Claiborne was accused of killing her abusive husband twenty years ago, but the court's findings were inconclusive and she was allowed to walk free. Now she has been accused of killing her employer, Vera Donovan, and this time there is a witness who can place her at the scene of the crime. Things look bad for Dolores when her daughter Selena, a successful Manhattan magazine writer, returns to cover the story.

A sprawling drama centered on five key days in a family's life.

Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.

How do you become who you are? Through the slights one experiences, believes freelance journalist and author Dirk Gieselmann. One late evening, he is alone in his apartment. His camera is set up in front of him, with which he records himself. In doing so, he first introduces himself personally and announces that he will call three people. In the telephone calls that follow, he confronts his interlocutors with long-ago encounters, experienced ruthlessness and the accusation that they drove him out of the paradise of childhood. That evening, he wants to know what the reasons were for the slights and hopes to be able to make sense of them. He realizes that his childhood has finally come to an end and remembers the world of thoughts that surrounded him when he was a little boy. Then he receives an unexpected call from his family.

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.

The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security.

A naive international student struggling to make ends meet decides to try webcam modeling to support herself financially. But within the lurid online world where every body is treated as a commodity, what will the ultimate price be?

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.

Mother and daughter, separated and alone, mourn the death of their respective husband and father. After this, they begin to hear mysterious noises and enter a progressive spiral of terror and paranoia. The different ways of facing loss, anxiety, pain and lack of communication.

A matriarch organizes a feast with her family, in which she will name her successor. The heart has gone out of Nanna Maria's family. There are no parties — they don't even fight anymore...

The story of two men, a veteran boxer who is down and out, and a young man who is just starting his life and boxing career. Their fighting careers cross paths as their lives and fortunes head in opposite directions. Director John Huston tells their stories with a level, unsentimental honesty and makes it into one of his best films.

A head chef balances multiple personal and professional crises at a popular restaurant in London.