The Empire of Shame

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In 1975, a seven-months pregnant Vietnamese refugee, Giap, escapes Saigon in a boat and, within weeks, finds herself working on an assembly line in Seymour, Indiana. 35 years later, her aspiring filmmaker son, Tony, decides to document her final day of work at the last ironing board factory in America.

How did the USSR - a country considered a second-rate industrial power, economically inferior to Germany, the USA and the UK - shape its victory over the armies of Hitler's regime, and secure its place among the winners?

Korea's past was whale worship; its present is industry. Is the future whales AND industry?

YU Wooseong who had been working as a civil servant is on trial for espionage following his sibling’s confession. A reporter who has been laid off begins following the traces of a spy story manipulated by a government agency. The clues lead to a confession and false evidence that society and the press have turned their back on.

Over 98 days from August 20th to November 25th 2013, 2821 people from around the world sent 11,852 video featuring many different faces of Seoul. 154 were selected, edited, and made into a movie.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.

The third installment in one of the most disturbing shockumentary series ever made, and it gets even more sick! Includes an autopsy of an unfortunately real dead infant, a cooking tutorial on road-kill, a walk-through of an abandoned house cleared after the homicide of an exchange-student, and a video of re-enactments of workplace incidents.

The absorbingly cinematic Ascension explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

Cheonggyecheon is a small industrial area in the city of Seoul where small metal workshops are located. Cheonggyecheon had played a key role in the industrialization of South Korea from the remnants of colonialism and war. Following the liberation of the country from Japanese rule in 1945, many industrial complexes became abandoned, resulting in a flood of scavenged machine parts on the market.. In the 1960s, Vietnam War veterans brought many machines into Cheonggyecheon, initiating small-scale production and what’s now considered “copy” production unique to the economies of developing nations. In the past five years, the business on Cheonggyecheon has declined as the surrounding neighborhood is in the process of renovation and gentrification, as part of a beautification initiative by the Seoul Metropolitan Government.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

Film from Andrew Morgan. The True Cost is a documentary film exploring the impact of fashion on people and the planet.

Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.

A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

The public yearns for a hero who will solve the economic crisis, and MB bursts onto the scene. However, what made voters excited now makes them disappointed. How the then voters were seen from the MB’s perspective? A political documentary that makes people laugh and cry.

Documentary on director Kim Ki-Duk looking back at his film career.

Documentary directed by Tom Kleespie inspired from Korean War veterans who recall memories both painful and patriotic, putting a human face on an often forgotten conflict. Stories include wartime recollections, such as one soldier's first moments seeing a MiG fighter up close, and veterans' often-tragic experiences returning home, where Americans largely neglected to welcome them back.

"You belong to the country for the next two years." The film describes Woo-cheol's struggles with becoming part of a group while trying to maintain his individuality throughout his military service period. A humorous yet cynical portrait of military groupism.