我和世界不一样 No Arms No Legs No Worries

According to his friend Polo the “Ober-Swiss,” Max is a spineless character who lives strictly according to conventions and is never satisfied with himself or the world. In truth, Max is fictitious – born out of the fantasy of the filmmaker Clemens Klopfenstein, who created him as his alter ego. Max falls in love with the impassioned Christine, but she jilts him within a short time because of his reluctant disposition. He thus takes a decision: to call upon the “master” in the hopes that he can liberate him from the interminably same role. Based on works by Clemens Klopfenstein, the compilation film emerges as a new, self-contained story, while rendering palpable the very essence of the filmmaker.

Il Grande Gioco-Centanni di Scoutismo

The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.

Chernobyl Forever

The jet set life of artist Nikki S. Lee.

Le Zapping - 20 ans (1989 - 1993)

Poetic documentary about the polar expedition of S. A. Andrée which Troell had previously dramatized in "Ingenjör Andrées luftfärd" (1982).

Alerte dans nos assiettes

Moi, la finance et le développement durable

The island of Sumatra is famous for its tobacco, as all lovers of the weed know. Its preparation, its growth and the various stages through which the fragrant leaves must pass, before they are ready for the smoker, form the interesting theme of this beautiful colored picture. The first scene shows the young plants growing close together, and the transplanting as they increase in size. The soil is poor for anything but tobacco, and one wonders how a good crop may be obtained in such poor land. We are shown, successively, the natives picking the largest leaves the inspection of the picking, and the natives carrying bundles of green tobacco to the tallying room.

Hardy trawlermen brave bad weather and rough seas off the coast of north-west England to bring in the catch.

In this moving short film, pop superstar Kesha shares the vision behind her 2017 album, Rainbow. An intimate portrait of her songwriting process and personal struggles—depression, insomnia, and an eating disorder—the piece follows her journey from hospitals and rehab to a triumphant performance of “Praying” at the 2018 GRAMMY® awards. “It’s called Rainbow because after the storm, there’s a rainbow,” she says in the film. “I wrote it as a message to myself that I could make it through.” The film includes music video clips, live performances, and footage of the singer writing and recording with Ben Folds, the Dap-Kings, and Sandra Williams.

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.

The concept includes a series of shorts titled "Dispositif + No + title". They all deal with subjects mixed in a unique and unusual presentation. It is an inventively surreal image and sound experience. It is Jean Cocteau for the twenty-first century.

A young man and a young woman spend the evening by the campfire. The girl asks about the starry sky and the photometric paradox, and the young man answers her with lyrical statements of great people about the infinity of the Universe. Frustrated, she rides off on a motorcycle with another young man.

Reflections from Red Oak, Texas where a teenage son murdered his father.

A documentary-tribute to the filmmaker Humberto Mauro considered the pioneer of Brazilian and Latin American cinema, directed by his grandnephew, André Di Mauro.

In a compartment of the Moscow-Novosibirsk train, a young physicist meets famous film actors. The conversation accidentally comes to Einstein, and the woman begins to explain to her fellow travelers what the theory of relativity is. The actors are incidentally on their way to the shooting of a film about physicists, but they do not understand the subject at all.

A celebration of the life and career of one of America's most influential and celebrated filmmakers and comedians—Buster Keaton—whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary.

About modeling some principles of the brain.