It’s Not My Memory of It: Three Recollected Documents

The intimate story behind our changing relationship with death. A terminal diagnosis used to mean death within months. Modern medicine allows patients to live on for years. A passionate and touching film about uncertainty, about the future that faces all of us, following five patients who choose to sing their way through life, with a score by Mark Orton.

A profoundly personal voyage into the complexity, fragility and wonder of the human brain, after Lotje Sodderland miraculously survives a hemorrhagic stroke and finds herself starting again in an alien world, bereft of language and logic. This feature documentary takes us on a genre-twisting tale that is by turns excruciating and exquisite - from the devastating consequences of a first-time neurological experiment, through to the extraordinary revelations of her altered sensory perception.

Murder Games tells the true story of Breck Bednar, the 14 year-old schoolboy who was lured to his death after being groomed online by Lewis Daynes.

The traditional crafts of crochet and knitting have become one of the hottest movements in modern art. We follow a few International artists and knitters as they bring yarn to the streets and into our lives in new ways. Starting in Iceland, this quirky and thought-provoking film takes us on a colourful and global journey as we discover how yarn connects us all.

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.

The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.

With charm and wit, Nichols discusses his life and 50-year career as a performer and director.

Medieval art treasures seized by the Nazis go missing at the end of World War II. Were they destroyed in the chaos of the final battles? Or were these thousand-year-old masterpieces stolen by advancing American troops? For over forty years, the mystery remained unsolved. A true detective story, "The Liberators" follows a dogged German art detective through the New York art world and military archives to the unlikeliest of destinations: a small town on the Texas prairie. Featuring interviews with Willi Korte (Portrait of Wally) and Texas attorney Dick DeGuerin, the film raises intriguing questions as to the motivations of the art thief and the whereabouts of the items that, to this day,

In East Los Angeles, three young misfit women find solace in an unapologetic, feminist bicycle crew. They call themselves the Ovarian Psycos Bicycle Brigade.

A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. "Taiga" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

A documentary that follows up on what happened to the three principle actors in Robert Bresson's "Pickpocket."

From Angry Bible Thumpers to Infamous Hall H Lines, This is an Appropriated Video Essay Covering the Negative Changes that San Diego Comic Con Has Gone Through This Passed Decade Alone.

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.