Mandala

Since all over the world the dead have risen, it seems like the end of the world. Billions of glassy gazing zombies roam about limply, decomposed as they are, and regain a little liveliness only to run after the last survivors who have the misfortune to come out of their lair. In Paris, three losers realize that ultimately all this does not change much in their lives. Deciding to take their destiny into their own hands, they open a pizza delivery and home video business. After a difficult start, their success grew as soon as they promoted themselves by stapling leaflets on the faces of the dead. But then one morning, they discover that it has just opened, right in front of their shop, a Captain Pizza HD franchise: the world's largest chain of delivery of pizzas and HD movies on USB key... Curse! Will our heroes triumph over this unfair competition?!

The language in which lullabies were sung to me kills. And I am with it. And the lullabies fall silent. An inner monologue between two languages and identities. Between the black and white of the pinscreen ‘L’Alpine’.

An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)

Animation that illustrates five of Augusto Monterroso's fables.

An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.

To kill time during a weekend, Makina the cyborg and Chiharu the super human decide to go for a drive. Wherever those troublesome friends drive, there is always a danger! Not smart, not tear-jerking, not touching. The only two words that can describe this discount cyberpunk story is Speedy and Unprecedented!!

Coiling and turning orbs travel through the stratosphere. Birth and transcendence short animation from Run Wrake and Howie B.

Run Wrake's iconic meathead character - first established in 1994's "Jukebox" bobs his head to PIL through the streets of NYC.

Directed and animated by Run Wrake, a one minute illustration of Paul Merton's words on Sudoku commissioned by the BBC for the Radio 4 website.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

The short film “Star Wars: The 212” is a non-profit fan film. It allowed us to develop our working method as well as the Hoplite pipeline. It is also a tribute to special effects, by creating a fan film based on one of the first sagas that revolutionized VFX.

There is no place like home, there is no place like hell. The first in Rosto AD's Thee Wreckers Tetralogy.

Once a fragile ballerina Olya meets a rude and gloomy boxer Evgeny. The contrast between the worlds of the heroes and their worldview is so striking that the very possibility of intersection of heroes appears as a miracle. Are the heroes ready to accept the same timid feeling that arose between them? Will they overcome everything external and superficial, behind which fragile loving souls are hidden.

Tous les i de paris s'illuminent

In nakedyouth, Shishido takes us on a journey through the uncertainty and excitement of young love and homoerotic love. These gentle films quiver with sexual tension, which is linked to the natural world: trees reflecting on the surface of a pond, butterflies fluttering in the breeze.

One march ends, a journey begins. In a desert land, the last breath of a giant creature spurs the exodus of an entire people.

Welcome to Rubika, a planet with a fancy gravity.

This rich, symbolic, intensely personal yet universal film wordlessly follows the path of a woman on a journey of self-discovery.

The 25 minute film tells the tale of an ailing elderly woman named Itako who encounters a fox named Okon. The story opens with Itako lying bedridden, as she has for a long time. Okon enters her home and Itako tells the fox that he is welcome to take anything that he wants, for she has no use for anything anymore. Okon is delighted and in order to return the favour (the act of ongaeshi), Okon performs a magic jyōruri (a ballad with shamisen accompaniment) that heals Itako so that she is fit enough to walk again. Everyone is surprised by Itako's sudden recovery. She then hears of a hunter who has been badly injured and is near death. Itako hides Okon in the back of her shirt and has the fox sing the song while she plays shamisen in order to heal the man. This act of kindness is repeated for others until Itako's good fortune leads some to be suspicious of her.

Short animation by Ryu Kato.