Streetwise

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

In 2017, 20 years after Hype! (1996), filmmaker Doug Pray made a new short documentary featuring updated conversations with some of the personalities and bands who participated in the original documentary about the Seattle music scene and the Grunge movement.

In an unfair country women work day and night far from home while their children learn to survive between loneliness and emptiness. They grow to become teenagers, locked down in one of many low income neighborhoods made up of identical small houses, outlined by overcrowding and scarcity. Their mothers, mostly workers in transnational factories, go in and out in buses that take them to a work place where they carry out twelve hour shifts two hours away from home, while their children muddle through their upbringing in tiny houses of 40 square meters. In spite of everything, they look for a way to move ahead and chase their illusions. This is a story full of youthful aspirations set in a context of difficulties and shortages.

Fora da Caridade Não Há Salvação

This documentary follows Pia, who is homeless. She is struggling with her drug addiction. During the day she (and many other homeless people) sells the newspaper Situation Sthlm.

It has been three years since Tom Alandh made the film "Det svåra livet" about homeless drug addict Pia. This film shows what has happened to her since.

Ten years after documentary filmmaker Tom Alandh started filming homeless drug addict Pia Sjögren, he makes his third and final film about her. Pia was 14 years old when she started smoking cannabis and using drugs. Then it all happened really fast. The heavier drugs, the men who beat, and years of cold nights in basements and attics. Treatment and punishment. Rehabs and prisons. Relapse. Constantly back, at the complete bottom, among shame and guilt. For ten years, Tom Alandh and photographer Björn Henriksson documented Pia's life. Two films were made, this is the third and last film, which shows how she managed to get clean against all odds.

On 12 June 2000, in Rio de Janeiro, Ônibus 174 was taken by an armed young man, threatening to kill all the passengers. Transmitted live on all national networks, this shocking and tragic event became one of violence's most shocking portraits, and one of the most terrifying examples of police incompetence and abuse in recent years.

With unprecedented access to the team, we go on a journey of redemption. Set against the backdrop of the rise of soccer in America, the film captures the beauty of the game as never before. But the heart of the movie is the examination of the people who come from all over the world to pursue a goal together. Each brings his own talents,but also his own indelible childhood experiences and family dynamics, which allows us to explore our own.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Caged. Invisible. Shamed. Trapped. These words mark the tenants, clerks and even the owners of Chicago's last remaining Singe Room Occupancy (SRO) hotels. These small spaces are home for many at the bottom of Chicago's housing ladder. Cloaked in darkness and secrecy, these hotels are often maligned as drug dens and havens for prostitution but the people who live, work and own these hotels have never fully shared their stories. Caged Men is a feature-length documentary which examines the disquieting stories of near-homeless Americans living on the margins and their invisibility in a largely indifferent and, at times, hostile community. It attempts to lend a voice to SRO residents, clerks, owners and to the hotels themselves.

A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

Now a successful filmmaker, Lorna Tucker was once a teenage runaway sleeping rough on the streets of London. For this frank, forceful and inspiring documentary, she returns to her former haunts and speaks to current and former homeless people about why, twenty-five years later, record numbers of people are still reduced to living on Britain's streets.

Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

1994 at the Ambassador Hotel, 55 Mason Street in the Tenderloin district of San Francisco, California. From 1978 to 1996, the hotel was managed by Hank Wilson, a San Francisco LGBT activist who made the hotel a model for harm reduction housing. 134 run-down and exhausted rooms populated by homeless men and women, sometimes even children. All of them in urgent need of care, compassion and humanity. Nobly provided by voluntarily working professional health care and social workers staff, various benefactors, volunteers, neighbors, and community contributions.

Intimate true stories from St Kilda's Gatwick Private Hotel. Meet the incredible characters including sisters Rose and Yvette who dedicated their lives to caring for the forgotten.

A documentary on seniors at a high school in a small Indiana town and their various cliques.