Dora Myrtle

Short film about nurse service in wartime. Preserved by the Academy Film Archive in 2013.

A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Just before the scheduled electrocution of stockbroker Kenneth Avery for the murder of Mazie Lawrence, Nan Perry makes one last plea to the governor for a stay of execution and relates the incidents that led to Mazie's death. Preserved by the Academy Film Archive in 2013.

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

This is a hand-painted step-printed film which begins with slow dissolves of what appear to be decaying leaves, crumpled browns and golds and oranges which assume qualities of earth and rock shot-through with flashes of crystalline prism colors and jagged scratch marks amidst glows of multiple coloration with increasing blues, varieties of tones of blue, from turquoise to near-purple - these variations of tone (and shape, as well) gradually convey, given the comparatively few appearances of blue, a formal domination over all other tones (and attendant shapes) of the spectrum of the film. Preserved by the Academy Film Archive in 2016.

Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.

Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

Proposed by the President of the United States to fill the post of Secretary of State, Robert Leffingwell appears before a Senate committee, chaired by the idealistic Senator Brig Anderson, which must decide whether he is the right person for the job.

A police detective's violent nature keeps him from being a good cop.

Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through Mexico and on to the United States, with the dream of starting a new life.

A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her.

Experimental short shot on reel to reel video tape and preserved by the Academy Film Archive in 2008.

A romance between two young lovers is complicated by their prohibitive parents. Preserved by the Academy Film Archive in 2013.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.

A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.

A stranger (Leo Willis) turns out to be a revenue agent and Texas' brother, Tom, turns him out. But when a gang of moonshiners captures the stranger, Texas takes matters into her own hands. There is a climactic shootout between the moonshiners and the "revenoo" agents, during which Texas is wounded. When the smoke settles, the agent proposes to his guardian angel and she accepts. Preserved by the Academy Film Archive in 2011.