This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Peyton and Barney are fun loving high school students working on a science project with white mice. When one of the mice begins to move food toward itself with out touching it, Barney finds he has accidently discovered a formula for telekinetic powers. Now, how much trouble can a high school boy who can move things with just his mind get into?
CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.
A spoof on many horror movie series. Ending his shift at the video rental, Stan's picked up by his BFF and 2 cute girls, all going to a Halloween party. Will they even get there?
Behind the scenes documentary on the making of the film.
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
Losing Weight
P.D.Q.
A bantamweight boxer has moved to Toonerville with his sissy-looking but well-trained son. When he gets into a dispute with Mickey Maguire, nothing will settle the matter but a meeting in the squared ring.
Plump and Runt are street musicians who are rivals for Florence's affection.
Roaming Romeo
Mickey McGuire is putting on a bad performance of Uncle Tom's Cabin, but first he has to deal with the competition; another boy is putting on a wild animal show -- house cats inflamed by the "tamer" having white mice in his trousers.
Hank Rouser, "Big Noise Hank," as a daring stranger had called him, was mad clear through. Julius Jones had faithfully promised to return that $500 after thirty days, and now it was long past due, and not even a line from Mr. Jones. So after a little friendly persuasion, in which Hank's six-shooter was brought into prominence, the bar was effectively cleared of its patrons, despite the protests of the barkeeper, and the bully sat down to dispatch a few terse sentences to his tardy friend, upon the receipt of which, Julius, with the aid of Caleb, his old family servant, quickly packed his traveling bag and started on a little journey, which he wrote to H. Rouser, would surely keep him away several months. (Moving Picture World)
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.
When wild horse Emma (Trixie the Horse) keeps opening the gates and freeing horses, ranch owner Molly (Molly Malone) hires Jimmie (Jimmie Adams) to deal with the problem. When he tames Emma, however, jealous ranch hands tie him up and kidnap Molly, so it's Emma to the rescue!
This first film of Cyprus' first director, Giorgios Filis, depicts music and dance customs in the form and style of a folk opera, with traditional Cypriot dances and songs. The film consists of a folkloric inventory based on the folk culture of Cyprus, as well as on similar ritual happenings. The narration and dialogue are entirely in the Cypriot dialect and are characterized by a rhetorical and poetic mood.
A display of flower bouquets, rotating to show the Kinemacolour process.
A young boy who likes to play the flute dreams that he has lost his water buffalo.