Carnival Show

Georgie Price tells Bryan Foy, who is to direct his short film, that he is nervous about performing to a camera and microphone instead of an audience. He then sings a couple songs, in an Al Jolson/Eddie Cantor style.

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

2-minute animation film to music by John Coltrane.

Short film by Tomonari Nishikawa

Alex is annoyed when he loses out on being picked as class president. When visiting a local antique shop he finds a magic lamp, with three singing Genies, who grant him three magical wishes.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

This interactive, volumetric dance experience takes the player on a journey of musical expression. Play along with the music of Wajatta in an intimate neighborhood record store and be transported to a retro-future dance party.

Every day is boring and the same to Amy, even her birthday. All the evidence her family puts forth that each day is different she rebuts with well-thought out responses of sameness. She is supposed to visit her Aunt Lucy to pick up her present from her, and instead meets weird characters who insist that her aunt has a beagle named Charlie and that she has turned into a butterfly. Eventually she encounters fairytale folk who thought their lives were normal before the events in their stories occurred. (IMDb)

A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.

A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.

When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.

"I've Been Afraid" blends stories of women who have been threatened.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

This animation is based on Stephen Coates composition under the same title. This film is about The Great Revolution of the British Cuckoos, who bravely took over London, forcing all the people to move inside the cuckoo clocks. Animation by Alex Budovsky. Music by "(The Real) Tuesday Weld."

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.

The then unknown Jennings and Andrew Larbi made a little film called One Cold Eskimo, which aired on the television series Takeover TV, produced by World of Wonder for Channel 4 in the UK. Takeover TV was a show that invited viewers to send in their curious, weird, or dumbfounding videotapes for possible airing. One Cold Eskimo is all of that.

A young policeman falls in love with a black panther.

Animation work that approached relation of score without time that undertakes expression and the blueprint with time axis of music axis. The time axis was given to the score and "Made of the score an image" was tried. It keeps likening the music sheet to the bird that stopped in the electric wire, and the image doing the panning.

The ponies are about to perform a magical musical on stage and everyone is practicing but no one is playing together.

It’s an underground world. Up on the ground there are many people coming and going. There lives a garbage bag. . . underground. He has no work, no home and no family. This is a story in which a dirty black garbage bag gains a new life through. . . various experiences.