In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.
Antonio, after a failure at work, returns to his birthplace in Viña del Mar after being completely absent. Upon his return, he moves back with his parents, meets again with old friends and a former love, from whom he will learn to deal with frustration, accept life and shorten the distance that was not only imposed by him leaving home.
Documentary about Ricardo Liaño, once a businessman from the chilean boxing circles but with a very different life today. A life that Liaño seems to be escaping from.
Chile, 2016. Camila and Pedro, secondary students, meet at a manifestation to defend water. Their political affinity leads them to begin a relationship that unconsciously prepares them for war.
A dinner party descends into sex, violence, and the absurd when one of the guests discovers something unexpected about what’s for dinner.
Winter, 1843. A young woman is under investigation following the mysterious death of her family's matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.
A marriage proposal prompts Carolina to recall three previous relationships as she wanders through Manhattan.
Geboren 1999
Bogra
C'était quand la dernière fois ?
The third solo concert of Russian comedian Alexander Dolgopolov, filmed in Tel Aviv.
Two young black lesbians stroll through downtown São Paulo, between memories and the future. They walk side by side for the possible love, between two women.
Père ou fils
Face à face
Amélie, a 2-and-a-half-year-old Belgian girl, born in Japan, thinks she is God. From her wide awake and acerbic point of view, she believes she can make plants grow in the garden, or cross the sea by foot. She thinks she’s at the center of everything and she has only one goal: to convert the world to her cult. Unfortunately, almighty Amélie’s power seems limited to her nanny, Nishio-San. Between her family who treats her like any other child and a housekeeper who divinizes her, the choice is clear: Amélie will be Japanese. But her world will fall apart at the age of 3, when she learns that she will have to leave Japan eventually.
A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
A troubled teen crosses paths with a charismatic, dangerous stranger and it becomes the worst decision in both of their lives.
Río Maldito
Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...