Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.
An outcast duckling's search for a family to accept him leads to constant rejection before learning his true identity as a swan.
When dad has to unexpectedly step in for mom to do his daughter Zuri’s hair before a big event, what seems like a simple task is anything but as these locks have a mind of their own!
A short animated retelling of the rhyme in the "follow the bouncing ball" style.
Clay-on-glass under-the-camera animated interpretation of Emily Dickinson's poem by animator Lynn Tomlinson.
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.
A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.
In a shady haunted house attraction where the performers are assaulting female patrons in order to make a name for themselves, the tables are turned when the performers attempt to take on two women who bring a new level of terror as they do some ass kicking of their own.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
Koro wants to get to the other side of the road.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.