Gentlemen Prefer Blondes

Mary O'Rourke, an Irish immigrant, arrives in America to find her friend Norah and their baby deserted by Norah's husband, John Stuyvesant, later claiming to be his cousin and finding a way to prove John married Norah, leading to a happy ending for all.

An ironic comedy to the sports world about the corrupt gears of football. As goalkeeper, figure a dwarf...

Silent about two clumsy glaziers.

Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.

A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.

Chief of Police Ivorytop and Chief of Detectives Sherlock Bonehead, of Rottenport, fall in love with Helen, a girl from the city

The master crook steals the sweetheart of Sherlock, a great detective. Sherlock undertakes to recover her.

Sherlocko and Watso, the world-famous detectives, are quietly ensconced in their office when suddenly there bursts in on their cogitations a railroad official. He is evidently in great distress, and we soon discover its cause. He has met with a loss, a daring robbery has occurred at his station.

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

An 1895 British short black and white silent comedy film featuring two drunken men and a boy squabbling in a small bar.

The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. (Selig catalog)

A young man marries an actress, but meanwhile her uncle has signed a contract binding her to spinsterhood, many complications arise.

A very rare lost film by Pathe Exchange that was found by Ben Model on eBay and preserved in time. Not much information known to exist.

Shakthi and Santhosh live together in Malaysia. They both fall in love with the same girl Lena. Eventually, Lena has to choose between them and she chooses Santhosh as he is wealthy. Mammootty comes to know of this and breaks off his engagement to her and walks away, feeling all good.

Bébé a le béguin

When Pat and Patachon arrive in the small fishing village at the North Sea they are completely unaware of the adventure that lies ahead. The two eccentric travelers quickly become good friends with old Maren and her son Tom, who will soon need their help in more than one respect. (stumfilm.dk)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.

Charlotte Lord, a widow in her early forties and owner of Manhattan's smartest modiste shop, is about to marry Guy Barton, a wealthy businessman. But Mexican divorces have been declared illegal, so Guy is still married to Sybil Barton, an unscrupulous gold-digger who left him twelve years earlier. She demands that Guy give her $250,000 for his freedom.- Written by Les Adams