Virtual Love

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

Victor ends up in a deprived area of ​​the city after the murder of his father. With only his dead father's memory microchip on him, he will be forced to seek help from people he has despised all his life. While searching the murderer, he will discover a tape that will shake up everything he has built himself on.

In a little house all for herself, an elderly woman moves through her day. While she tends to every chore on the docket, we learn some things about her. She has a green thumb, she speaks Polish while on the phone, she likes to nap. A prayer sounds. They are words from her mother-in-law, Polish poet Zofia Bohdanowiczowa, who was also displaced from her native Poland. Three generations meet, one by writing, one by living, and the third by the very making of this film, a composition of her ancestors through sound and image.

An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.

Dolzura Cortez has had several men in her life. One returns to her as an AIDS researcher and unwittingly, Dolzura becomes his subject. He encouraged her to come out in public so she can dispel the social stigma that comes with the disease.

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

After a botched surgery a rookie doctor takes a job in a meteorological station in the Arctic Circle.

Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together

The film follows Kamala, a young woman from Chitkul village and her girl child Manya, who embarks on a journey leaving their native land in search for her missing husband. Along this journey she encounters Nawazudin, a free spirited army deserter who helps them to get to their destination with his own selfish motive.

During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.

In a post-apocalyptic future where population control is dictated by a high-school aptitude test, two students discover the test is smoke and mirrors hiding a larger conspiracy.

Marie is a Manhattan vampire thirsting for acceptance and blood, not necessarily in that order. Apparently a renaissance woman, she sings the blues, poses for a picture, and rides through Times Square in a horse drawn carriage. Ariel is a fashion photographer attracted to the beguiling vampire. Attraction escalates into obsession, and before long locate the elusive creature of the night.

On a desolate Navajo reservation in New Mexico, three young people – a college-bound, devout Christian; a rebellious and angry father-to-be; and a promiscuous but gorgeous Nádleehi (trans person)- search for love and acceptance.

Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.

Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.

A woman battles to survive alone in a post-apocalyptic London wasteland.

A spoiled rich woman and a brutish Communist deckhand become stranded alone on a desert island after venturing away from their cruise.

A Hungarian family forced to flee the Communist country for the United States must leave a young daughter behind. Six years later, the family arranges to bring the absent daughter to the United States where she has trouble adjusting. The daughter then decides to travel to Budapest to discover her identity.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Aliens masquerading as owners of a small town video store distribute tapes that cause anyone who watches them to pleasure themselves and whoever else is nearby.