UZU

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.

A portrait of a family living in a village in Masuria.

Gente de mesón

A 1942 short film.

A documentary that explores the natural world of the sea, from the single-celled organism to more complex forms of life, OCEAN ORIGINS was originally filmed in the IMAX large format, which adds a crispness and clarity to the images. This documentary film seeks to examine the process of evolution by looking at the many creatures of the sea that can illustrate the way multi-cellular life emerged over the course of four billion years. OCEAN ORIGINS is a creative film that uses fascinating documentary footage to look at scientific theories and principles in an interesting manner

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.

In a dry unforgiving part of Australia, a man and his wife have set up home and live stock to make their living. Just when it seemed the drought and lack of finances were getting to be too much, things change: BP is looking for a suitable area to attempt the world land speed record.

This short documentary tells the story of Garret Walsh, a twelve-year-old Canadian body-builder.

David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.

Raw footage received from photographer Harry Dunham revealed never before seen images of Mao Tse-Tung and the Eighth Route Army, inspiring Frontier to collectively shape a new film from desperate images, and to refine its dialectic editing.

Kurt Vonnegut, Jr., discusses his development as a writer, including references to some of his major novels, his themes and their meaning, his relationship to other writers, problems in sustaining his special vision of American life, and his future. Accompanied by photographs that chronicle the author’s life and selections from home movies taken during his youth.

These film clips tell the story of the human experience of living with HIV/AIDS. People with HIV/AIDS, their husbands and wives, their families, their doctors and health workers talk about how HIV/AIDS has affected their lives. These are the personal video stories from Cameroon and Zimbabwe in which people speak out about their hopes and fears, their struggle against pain and abandonment and their fight for greater awareness and understanding. The film challenges stereotypes and calls for a concerted effort to face up to the epidemic.