Gundaraj

A cinematic tribute to the art of fighting.

An accidental road trip from Mumbai to Ajmer with a quirky wedding band forces Arshie’s orthodox parents to open their eyes to a new way of life.

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

One Night when Anjali and Rohan were returning home from a friends Anniversary party, their speeding car runs over a young girl killing her instantly. A petrified Anjali who was driving the car insists to take the victim to hospital, but Rohan decides against it, Life changes drastically for her. She is constantly burdened by guilt of killing a person and suddenly feels a gothic presence in her house & studio.

Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.

Googly, a carefree young woman and her lover, Shorya, take a romantic trip to Dharamshala. At the airport they are received by their tour-guide, Ranga, who appears to be somewhat disturbed upon hearing Googly’s name. An incomprehensible sadness betrays Ranga’s cool demeanor. Googly is awestruck by the beauty of sunset amidst the snow-capped mountains and is inspired to go hiking. Shorya, though initially reluctant, finally yields. They set out on their trek and the appalling beauty of the mountains overwhelms them. In a moment of romantic fervour, Shorya slips and falls off the cliff and gets stuck on a crest at the edge of a steep fall. Hereafter, the movie follows Googly and Ranga on their individual rescue missions-- Googly’s to save Shorya and Ranga’s to find Googly. And amidst all this, flitting on and off the screen, is a ghastly figure in the cave whom Shorya dismisses as a figment of his own imagination

A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.

A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.

Kal Hamara Hai is a 1959 Indian Hindi film, directed by S.K. Prabhakar and produced by K. Amarnath. The film stars Madhubala, Bharat Bhushan, and Jayant in lead roles. The film has a musical score by Chitra Gupta.

The documentary talks about of the devastating earthquake of 2001 and captures first-person accounts of survivors, rescuers, journalists, photographers, and earth scientists.

Sundari is a stage dancer and singer, a flirt, quarrelsome, and generally up to no good. She meets with Havaldar Pritam, and both are attracted to each other. Circumstances force Pritam to arrest Sundari for viciously assaulting another woman, but he lets her escape, and is severely reprimanded by the Kotwal. Sundari feels sorry for him. She meets with the Kotwal and pleads with him to forgive Pritam, which he does. Pritam is grateful to Sundari for saving his career, and both continue to romance each other. What Pritam does not know that Sundari belongs to a gang of thieves, the leader of which is her long-time boyfriend, currently in prison, a notorious gangster by the name of Rahu.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

An official adaptation of the cult horror film Oculus. The film revolves around a haunted mirror. It shows the emotional journey of siblings Natasha Merchant played by Huma Qureshi and Kabeer Merchant played by Saqib Saleem dealing with the death of their parents.

A celebrated cop is forced to commit crimes before a suicide bomber blows up a school. As he races against time, the idyllic town around him descends into chaos.

The film chronicles the ascent of Shivaji, the great Maratha warrior who fought for liberty from the erstwhile Muslim rulers in order to establish a secular Hindu kingdom.

When Sahil met Mittee in a hotel management school, it was love at first sight for both of them. Their love was everything - picture perfect and flawless. But an unlikely event at school turns their dream-come-true romance into a nightmare and makes them realize how important it is to know your partner thoroughly before getting into any kind of romantic relationship.

Even after being warned about the danger, a top fashion team plans a murder mystery film shoot at a secluded spooky castle. Alas, nobody in the crew likes or trusts each other. Is it just a coincidence that real murders are taking place just as in the script or was it all planned?? Only the script writer could tell but. – unfortunately he too commits suicide on this cursed night

A drunkard falls in love with a girl, who takes on the responsibility of making him better.

A single mother, Geeta, must deal with her two sons, the elder a Police Inspector Suryapratap; while the younger, Satya, a hoodlum, when both get into conflicts. Things only get worse after Satya gets arrested, arguments ensue and he leaves. He gets hired by Sheshnaag for the sole purpose of exacting vengeance against his rival, Deva. Both brothers are fated to meet again when Suryapratap decides to accumulate evidence to arrest Deva. Neither of the brothers know that Deva has an alias. What will the details of his past life reveal?

Laxmi Devi is a strict mother having two daughters named Leena and Isha. She wants them to get married in a prosperous and rich family with two brothers so that they can be together for life. But two orphaned boys named Omi and Vikram Doshi who are thieves by profession, fall for these two sisters. Now Laxmi Devi wants to control the fate of her daughters but can she do this?