Patagonia Inlandeis Expedition

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

At the Limit is a documentary about extreme climbing. In this sports documentary, Pepe Danquart shows brothers Thomas and Alexander Huber climbing in Patagonia and on the granite rock "El Capitan" in Yosemite Valley (USA). A key part of the film is their attempt at a speed ascent of the 1,000-meter-high route "The Nose," in which the two athletes aim to break the then speed record of 2:48:30 hours, set by Hans Florine and Yuji Hirayama in September 2002.

Examines the career and literary output of Pablo Neruda, who makes his home at Isla Negra on the coast of Chile. Includes views of Mr. Neruda reading many of his poems in the locales which inspired them.

Rüdiger was a child, Aki two months old and Kurt, the deputy of the pedophile leader of the sect. In 1961 they came to Chile together with 500 other German sect members and for over 40 years they lived secluded from the rest of the world. The film tells about the attempt to survive as a collective after decades of crimes such as torture and murder and shows different ways in which the individual copes with the history of the community.

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

Proyecto Ibera

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

A mechanic discovers the fossil of a huge carnivorous dinosaur, unleashing a war between scientists, mayors and neighboring towns to keep “the biggest dinosaur in the world.” Among bone thefts, replicas and a mayor obsessed with creating Dinolandia, anything goes when it comes to surviving.

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

A 3D dragon has become a 2D character. In his quest to recover, he discovers fragments of Argentine animation, new friends and teachings.

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

With David Beckham looking uncertain for the 2002 World Cup finals after his clash with Argentinean Aldo Duscher, this documentary charts the explosive 35 year feud between their two nations, when football became war by another means.

The story of the Yugoslavian football team who became youth world champions in Chile, 1987.

Resistencia Cultural

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.