Life is a Dream

Two insects fight over the hand of a beautiful lady.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

Three sideshow performers form a conspiracy known as "The Unholy Three" - a ventriloquist, midget, and strongman working together to commit a series of robberies.

A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.

Blizzard, deranged from a childhood operation in which both his legs were needlessly amputated after an accident, becomes a vicious criminal, and eventually mob leader of the San Francisco underworld.

After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.

Gerald Stanley (John Gilbert) is an English gentleman who is engaged to Beatrice Joyce (Alma Frances). But Stanley's personality changes whenever he drinks, and his brother (who also loves Beatrice) uses this to his advantage.

A petty thief (Clive Brook) just robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, finally is caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother (Baclanova). However, he must first promise not to kill his wife while he is out of prison.

Henry, a struggling Greenwhich Villiage artist, accidentally finds an invitation to Louise Gordon's coming out party. He goes to the party, falls in love with the pretty socialite, but soon decides to leave as he realizes his financial situation is not up to standards. An old friend recognizes him and encourages Henry into lying that he is a successful businessman.

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers.

Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them pines away.

When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

Freckles, an orphan with disabilities, gets a job at McLean's lumber camp as a guard in Limberlost forest. Although the forest is infested with desperate characters, Freckles shows courage and determination. A beautiful girl whom he calls the "Swamp Angel" and the "Bird Woman" assist him in driving off timber thief Wessner and his gang. Later, Freckles refuses a bribe Wessner offers if he will permit Wessner to steal some trees. Instead, Freckles gives Wessner a beating, and his loyalty to McLean earns him a cash reward. Freckles falls in love with the Swamp Angel, but the social differences between him and the girl prevent him from declaring himself. He makes no attempt to recover when a large tree falls and seriously injures him. His recuperation is hastened, however, when the girl expresses her love for him.

Charlotte Baker is drugged and taken to a brothel by Paul, her fiance, who in reality is a pimp. To find her, Charlotte's family contacts the celebrated detective Bob Macauley.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.