Vues animées de l'Atelier et Collection Richard Winther

The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.

Babies bouncing in toy chairs, friends competing at the bowling alley: each moment of this found footage collage, composed entirely of home videos shot on September 10, 2001, is tinged with dread for the era to come.

2ⁿ is a story about the exponential growth of numbers raised to powers. Part of the Mathematica Peep Shows, one of five films made to accompany the Mathematica: A World of Numbers and Beyond exhibition at the California Museum of Science and Industry and the Museum of Science and Industry in Chicago.

Mona's Candle Light was discovered among reels of film that Geoff Alexander, of the Bay Area-based Academic Film Archive of North America, bought at a flea market in an unmarked box. There are no credits, so it is impossible to determine who shot it and for what purpose. The film is 1950s footage, probably amateur, of a well know lesbian club (which had opened in the 1930s), Mona's Candle Light, and it is an invaluable document of that underground scene. (archive.org)

In the midst of the Covid-19 pandemic, Steeve Day has been suffering from ALS for eight years and decides to call for assistance in dying. At the same time, however, visits to hospitals are suspended. Steeve then rents a hotel room in which to spend his last days and receive his loved ones.

This Pete Smith Specialty is a semihumorous look at basic first aid techniques for mishaps that often occur around the house. It was produced in cooperation with the Beverly Hills First Aid Unit of the American Red Cross Disaster Service. —David Glagovsky

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow.“ (Kōbō Abe) Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum.

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

Short educational film about watching TV.

An Anders Weberg short film. Part of his Peer to Peer Art project.

In three episodes, the Freiburg University professors Schramm, Hassenstein and Dr. Bresch and their lectures are portrayed. What is the basis for becoming a university teacher? Is it possible to redesign the classic lecture? Can the illegal, the conflict, be legalized? What do reforms consist of? What about study committees with equal representation?

Documentary showcasing popular and folk songs performed by the Ukrainian State Choir.

Subotika, a little-known island on the other side of the globe. An enchanting country with extraordinary sights, grand visions and a couple of minor problems.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Andy directs Lou Reed drinking a Coke.

Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."

Andy directs Edie for a screen test.