Ishq Junoon

Rajan Mathur (Anil Kapoor) is a Professor in Urdu literature in Dr. Zakir Hussain's College. He resides in Chandni Chowk with his activist wife, Roma Mathur (Shefali Shah). Professor Mathur comes across a young boy called Numair Qazi (Anurag Sinha) who introduces himself as a victim of communal riots in Gujarat.

Krishna Bhagat is a local bread supplier in three different families of a housing complex - it's the early times of the pandemic setting in. A lockdown is announced and that sets to change lives for these families poignantly. Phase 1 of lockdown exposes the extramarital affair of Arjun's wife with Aru's husband, a neighbor. In phase 2 Sushma, pressurised by her son Akash, a TV journalist, forces Krishna to return the money that she had loaned him. Phase 3 brings to fore the conflict within Leela Seth, a lady in her late sixties, her daughter in law, Naina in her mid thirties and granddaughter, a teenager, Siya. Will all of them be able to emerge out of their situations with a brave spirit?

Flora is a happy housewife but suffer a serious accident and loses her husband and gets her face terribly burned. Depressed, she feels herself guilty for the accident, but her sexuality is still on so she hires men to fulfill her carnal desires. Among them is cynical and ambitious Romeu who makes her do whatever he wants. But by advice of her friend Suzana, she undergoes a plastic surgery and falls in love with her doctor, Romeu who is the lover of Suzana. Romeu and Suzana will do all they can to destroy this love.

A boy and girl from opposing families meet and fall in love, determined not to let the hate between their parents stand in the way of their happiness.

Rohit and wealthy Kiran Dayal meet each other and fall in love. They intend to marry, but Kiran's parents will not permit her to marry beneath her class. Kiran is adamant, and the marriage goes through without the blessings of the Dayals. They live in harmony for months, even after Kiran gives birth to Sunil. Then they start to have differences, which are minor at present, and then snowball...

Tohfa (English: Gift) is a 1984 Bollywood drama film produced by D. Rama Naidu on Suresh Productions banner, directed by K. Raghavendra Rao. Starring Jeetendra, Jaya Prada, Sridevi in the lead roles and music composed by Bappi Lahari.[1] The film is a remake of Telugu movie Devata (1982). The film became a hit and took the top spot at the box office in 1984.

A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.

Once upon a time there was a Kingdom Ujjaini and its King was Maharaj Raja Vijay Singh (Pran) his only daughter Princess Indumathi (Jayaprada) loves a dynamic guy Ramu (Jeteendra) who was a gardener in fort, Maharaj keeps a condition that if he could become equal to his status then he will give his daughter's hand to him. There was a mesmerizing person Mantrik Husair (Kader Khan) who has super natural power who wants to achieve a powerful ideal of Pataal Bhairavi

Set in Mexico City, Carlos Reygadas's sexually explicit drama centers on a man in turmoil over his past actions. Chauffer Marcos feels compelled to reveal a dark secret to his boss's daughter, Ana, a wealthy woman who works as a prostitute just for the thrill of it. Marcos confesses that he and his wife committed a crime that ended in horrible tragedy. Haunted by his past, Marcos searches for redemption.

Just moments before his third wedding, Zahedi relates with utter sincerity and astonishing candor his obsession with prostitutes. He retraces his romantic and sexual history, including his ideological commitment to open relationships, that led to two disastrous marriages and several very pissed off ex-girlfriends.

A guitar-carrying musician and a rebellious runaway wealthy woman go on the run from organized gangsters.

A young woman must try to keep a one-night stand that she had in college a secret from her husband who happens to be one of his best friends, and thowart a persistant blackmailer intent on collecting money from her to keep quite about it.

A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.

A gang of bikers headed by the cool-headed and arrogant Kabir is on a robbing spree in Mumbai. ACP Jai Dixit is put in charge of the case and he recruits a bumbling bike mechanic and racer to help Jai nab them.

DCP DeSilva sees a way to bring to justice the feared head of a criminal empire by recruiting a man named Vijay, who looks exactly like the crime boss. The ruse works too well, and soon Vijay finds his life in danger when DeSilva, the only one who knows his true identity, dies.

Sonia and Rohit love each other but Rohit is mysteriously killed. When Sonia moves to New Zealand, she meets Raj, Rohit's lookalike who helps her trace Rohit's killer.

Partners Karthik and Aman don't have it easy in their road to achieving a happy ending, while Aman's family tries to get him married to someone else, Karthik doesn't step down unless he marries Aman. A sequel to the 2017 film, titled Shubh Mangal Saavdhan.

When his love interest doesn't show up for a meeting, a man and his friends go to Goa in order to find her, where they discover she loves someone else.

Anant Velankar is an honest government officer working in Mantralaya who has never taken bribe.He has a respectful life with is family wife Ujwala and daughter Antra.He commutes daily for work from Dombivali to CST a route more then a hour and admires his boss Dadasaheb but suddenly comes across a photograph of him killing someone which is the only proof the murder.Now the ball is in Anant's court how to deal with the situation weather to revel the truth in front of everyone or blackmail Dadasaheb.

A typical middle-class 70-year-old widower, Atmaram Dubey, who has been celibate for decades, realises he will probably never have sex. This awakening catapults him into an outrageous journey of self-discovery defying societal norms.