Fatinica
Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.
Bílý oficír
The trials and tribulations of Natalka and Petro. The sweethearts plan to get married, however, Natalka's father does not approve of the marriage because Petro's not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune. With no news from Petro for five years, Natalka succumbs to her mother's wishes and finally accepts her next offer of marriage, which happens to come from an old, but relatively wealthy government official.
Mam’zelle Nitouche
Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.
Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
A film about Johnny Bode. Schlager diva, Operetta hero, filth musical innovator, enfant terrible, compulsive liar and amoral rogue. Johnny Bode (1912-1983) was very successful in Sweden and Europe. Yet he is today almost completely forgotten. Why? His life was so overwhelming, glamorous, fast and bizarre. So un-Swedish. He became fascinated by the nazism. Was arrested by the Gestapo and detained at Grini concentration camp in Norway. For five weeks. After the war he moved to East Berlin and proclaimed himself a dear friend of the GDR. Later he was deported and returned to Sweden. A time of fencing and small crimes followed. Escaped to Brussels at first and later Vienna. He was, as Juan Delgada, hired by the Vienna Opera to create new operettas. And was very successful. Johnny Bode died exhausted alone and abandoned in Malmö during the summer of 1983.
A musical show combining pop, theater, and circus inspired by Johann Strauss's operetta “Cagliostro in Vienna,” written by Thomas Brezina and presented by the Roncalli circus company.
Mlynářka z Granady
Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.
Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.
Vídeňská krev
Noc v Benátkách
This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.
A British musical film directed by Victor Hanbury and Ladislao Vajda
This outdoor performance of Carl Zeller's celebrated operetta was staged at the Seefestspiele Mörbisch in 1998. Seefestspiele Mörbisch is an operetta festival held annually at Mörbisch am See in Austria. In the story, Adam, a handsome bird-seller from the County of Tyrol, finds himself in the Rhineland, where he and a village postmistress become entangled in various romantic intrigues and misunderstanding at the prince's court.
In this three-act operetta by Hungarian composer Emmerich Kálmán, a dashing and mysterious circus performer is hired by a disappointed suitor of Princess Fedora Palinska to pose as a nobleman and marry her. This 1969 performance was produced for West German television.
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.