¡Al fútbol!

David Asmmann's Football Under Cover documents the hard work involved in setting up an exhibition soccer match, known as a "friendly," between a German girls squad and Iranian women's team. In addition to showing how the two groups come from very different cultures, the documentary showcases what playing the game means to the members of both teams, and displays how passionate the fans of these two squads are.

This short film brings light to the reality of transsexuality during childhood and aims to emphasize the importance of the role of grandparents.

More than a film about football, this documentary is the portrait of a passion. Through several testimonies, what is shown is the feeling of the fan of Peñarol and what he is capable of doing for the team of his loves. From the largest flag in the world to the most spectacular receptions, including tattoos, anecdotes, promises and much more.

In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.

In 2001 a rowdy group of Austin women were determined to ressurect an old sport, but with a new spin. This is the beginning of a revolution: HELL ON WHEELS is the ass-kicking documentary film telling the story of a group of Texas women who band together to resurrect roller derby for the 21st century. Emerging from the Austin music and arts scene, these women create a rock and roll fueled version of all-girl roller derby that has spawned the derby craze that's sweeping the nation.

Highlights aspects of food handling which are the personal responsibility of the food handler. Discusses the sources of potentially hazardous bacteria and the various means by which these bacteria may be transferred to food.

A punk documentary which is, at the same time, a history of Catalonia, an analysis of its political situation in 2017, a comic lamentation on the milestones of the Procés —the broken, unsuccessful path started October 1st which eventually should've ended with a true declaration of independence from Spain—, and a chaotic festival of references to pop culture, from Dumbo to Salvador Dalí.

Nike Football, Laurence McKenna and Deft Touch films partner to tell the story of the Liverpool FC Captain’s career through the voices of those who know him best. With unprecedented access to Liverpool FC’s first team squad, Jurgen Klopp and England Manager Gareth Southgate – along with a number of well known Liverpool FC fans and Journalists: we hear how Jordan went from his early days in Sunderland to leading the club to title wins.

Goya, tiempo y recuerdo de una época

1966 was both the first and only time England hosted - and won - the football World Cup. 30th July was the day of the final, and exactly 50 years to that day later, those people who were there reminisce.

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

O Voo

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

This film is an in-camera portrait of the place Ville Marie Royal Bank Building in Montréal.

Sélectionneurs

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

Produced by the Highway Safety Foundation in 1964, this shocking film deals with a subject quite taboo for its time. The short serves as a dramatized warning, ending with graphic case studies.