Motu Patlu: King of Kings

Refusing to follow his corrupt brother's bad example, a sincere, honest but buffoonish police cadet helps to rout a gang of organised criminals who are involved in treachery, kidnapping and murder.

A girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra'(wedding dress worth Rs. 2.5 Lakh), she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.

The anthology film showcases three independent stories that capture the experience of small Indian towns and villages where people take incredible measures to survive.

After his wife dies in childbirth as the result of an unsuccessful coup attempt by the bandit Razoulli (Amrish Puri), Gen. Khalid (Dharmendra) vows to avenge her death in this Bollywood thriller. But as he prepares to carry out his plan against Razoulli's son (Sunny Deol) years later, little does Khalid know that the two are connected by a long-buried secret. Sridevi, Karan Kapoor and Juhi Chawla also star.

Bunty and Babli are two young people who randomly meet each other after running away from their homes to chase their dream. After facing hurdles in their path they decide to take up conning and soon become the best con artists in the country. However, their success is threatened as a relentless cop is on their trail.

The journey of a struggling singer 'Fanney Khan' who aspires to make his daughter a big name in the music world.

Akhil, an underdog and a failure, comes to know that his real father is a rich diamond merchant who has just passed away. When he goes to retrieve his wealth, he learns that a dog has inherited it.

Laxmi is half of a famous singing couple when both her relationship and career are destroyed by the jealous plotting of her husband , Vijay. Years later, Laxmi is widowed and raising a stepdaughter, Lalita, when Vijay returns to the scene to meddle in her new family's affairs and once again threaten her domestic happiness.

Ajay (Mithun Chakraborty) and Amar (Ayub Khan) were separated from their sister (Simran) and dad at a young age. Now grown up, they are con men, and on the look out for Dhanraj and Jagraj who they suspect killed their dad and sister. Typical Hindi flick with lots of action, drama, emotions and fights.

A grumpy dowager comes to regret leaving her niece in charge of her home during a vacation.

In a city plagued by a strange rise in fires, fireman Vithal and his policeman brother-in-law Samit reluctantly team up to solve the escalating crisis. Battling personal conflicts, they race against time to crack the case and save Mumbai.

Mistaken identity leads to laughs in this comedy starring Govinda as a hotel waiter named Raja who sets out to find a rich woman to marry. Sapna (Raveena Tandon) catches his eye, but she believes Raja is Rahul Saxena (also Govinda), a suave playboy and Raja's spitting image. When the error is revealed, she conspires with Raja and a friend to kidnap the real Rahul and send Raja to take his place. Simran and Arunai Irani co-star.

Romantic teen caper has a college boxing champion and a career-challenged ventriloquist defying tradition when they compete for favors to win over two rich and beautiful sisters.

A longstanding feud between bitter rivals yields an unexpected friendship in this tale of ambition, violence and love starring Jeetendra and Raj Babbar. Engaged in an ongoing dispute with his archenemy, Nagraj, a man named King sets out to kill the police officer who's interfered in his affairs. But through a remarkable twist of fate, King and the cop end up friends. Now, the two must face the formidable Nagraj -- who wants them both dead.

The film is family social drama, which deals with the issue of young widows. It put a special focus on the Indian society's attitude towards them, and society's bigoted approach to "man- woman relationships"

Widow Laxmi lives a meager but happy existence with her four children. As her son Vijay struggles to support the family, Laxmi is swindled out of her life savings. Vijay swears revenge, resulting in a series of shifting fortunes that send the entire family into upheaval.

Mohit, a young man raised into beliving in fairy tales, comes to Bombay to find Manisha, a young woman whom he saved from drowning in a lake near his village, whom he belives to be an actual mermaid princess.

Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.

Googly, a carefree young woman and her lover, Shorya, take a romantic trip to Dharamshala. At the airport they are received by their tour-guide, Ranga, who appears to be somewhat disturbed upon hearing Googly’s name. An incomprehensible sadness betrays Ranga’s cool demeanor. Googly is awestruck by the beauty of sunset amidst the snow-capped mountains and is inspired to go hiking. Shorya, though initially reluctant, finally yields. They set out on their trek and the appalling beauty of the mountains overwhelms them. In a moment of romantic fervour, Shorya slips and falls off the cliff and gets stuck on a crest at the edge of a steep fall. Hereafter, the movie follows Googly and Ranga on their individual rescue missions-- Googly’s to save Shorya and Ranga’s to find Googly. And amidst all this, flitting on and off the screen, is a ghastly figure in the cave whom Shorya dismisses as a figment of his own imagination

Raju is a poor guy who wants to marry a rich girl. Her father challenges Raju to earn ₹10,000,000 within a year to prove himself first.