Go, Johnny, Go!

Elvis Costello: Mystery Dance, the first-ever documentary portrait of one of the greatest musicians and songwriters of our time. Assured of Costello’s full collaboration, exclusive access to his extensive archive and with the full participation of his record company, the film is a definitive portrait of a major music icon.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

In this documentary film, the final day in the short life of the guitar god Jimi Hendrix is reconstructed using theories swirling around a CIA hit list, Mafia debt, and police surveillance.

A live concert in tribute to Freddie Mercury, former lead singer of Queen. Mercury died of AIDS and so some of the proceeds of this concert went to AIDS research. Features performers such as Metallica, Def Leppard, Elton John, Axl Rose, Extreme, George Michael, and many others. Performers alternate between doing their own hits, covering Queen songs, or jamming with the surviving members of Queen.

Gouge - a documentary tracing The Pixies' story featuring interviews with Bono, David Bowie, Thom Yorke and Jonny Greenwood (Radiohead), Graham Coxon and Alex James (Blur), Fran Healy and Andy Dunlop (Travis), P J Harvey, Tim Wheeler (Ash), Gavin Rossdale (Bush) and Badly Drawn Boy.

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

British ex-military singer/songwriter and consummate lady's man James Blunt watched his career go from coffeehouses to stadiums in 2005 with the smash hit "You're Beautiful." Blunt's Rod Stewart-esque croak, wry humor, and earnest balladry is on full display for WEA International's Chasing Time: The Bedlam Sessions.

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

A documentary filmed behind the scenes of the Bon Jovi's Lost Highway tour in 2008.

Maniática: directo a tu conciencia

A collection of music videos from the first 20 years of the bands career

A documentary made for television that looks back on the development and rapid rise of Oasis from being a band practicing nightly in the Boardwalk to one the biggest British bands of the last thirty years. Building from the formation of the band (with Liam apparently just fed up waiting for other bands to release records and decides to do something himself), the film uses contributions from key people really well to tell the story in an engaging way.

Stooge is a feature documentary about Robert Pargiter, Iggy Pop's No1 fan. It covers the three years leading up to his 50th birthday when he tries to track his hero down in a final absolution. His journey has taken him all over the world in search of redemption after years of struggling with addiction, of coping with depression, and of celebrating the communal lust that is Rock'n Roll.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Five seamen and a passenger are intent on making the most of the 14 hours they will spend in London.

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.

Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for The Runaways -- the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.