Silversun Pickups: Behind Better Nature

Award-winning comedian Rich Hall takes a country music journey from Tennessee to Texas to look at the movements and artists that don't get as much notoriety but have helped shape the genre over the years. With the help of prominent performers and producers including Michael Martin Murphey, Robbie Fulks and Ray Benson, Rich explores the early origins of country music in Nashville and Austin. He visits the rustic studios where this much-loved sound was born and discovers how the genre has reinvented itself with influences from bluegrass, western swing and americana.

From Chris Marker's collection Bestiaire aka Petit Bestiaire (1990), consisting of three video haikus.

For one-night-only blood was spilled in the mud.

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.

With an off beat sense of humour, the film looks at the politics and glamour of lipstick and the dilemmas of the modern woman in a marketed world.

You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.

The movie captures the responses of 31 authors, musicians, filmmakers and dancers to Olivier Messiaen's monumental organ work "Apparition of the Eternal Church." Listening to the 10-minute piece through headphones, the documentary subjects-most of whom are outsiders to the church and do not know what they're hearing-put Messiaen's project to the test: Is it possible to portray, through time-bound, invisible sound, the spiritual, the architectural, the eternal? The result is a collective interpretation improvising its way through an aesthetic landscape defined by violent contradictions. Resolution abuts eternity, eroticism asceticism, spiritual ecstasy physical torture. Together, the music and its interpreters conjure something like what William Blake famously called the marriage of heaven and hell.

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.

12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

Efforts to save the Atchafalaya Basin are highlighted with stunning visuals of the largest wetland and swamp in the United States. Located in south central Louisiana, it is a combination of wetlands and river delta area where the Atchafalaya River and the Gulf of Mexico converge.

An intimate account of the relationship between young composer and pianist Kit Armstrong and the world renowned Alfred Brendel, Set the Piano Stool on Fire captures both the creative process and champions the value of teaching and collaboration. Featuring the only filmed footage of Brendel during his farewell tour, this is highly revealing and essential viewing for anyone interested in classical music.

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

Filmed in the Canadian Rockies and in Garibaldi Park, this documentary features magnificent footage of mountain solitudes and the wildlife found there, of natural splendour in all its changing moods. The film carries the implicit warning that all this may pass away if people do not seek to preserve it. Without words.

Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.

Caminando

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.