The Dubliners - Live At Vicar Street

Musical biography of Irish 19th century tenor Chauncey Olcott.

The final story of Michael Flately's Lord of the Dance series. Spectacular show.

The very first Empyrium concert captured in sound and vision June 11th, 2011, was a landmark date in Empyrium's history. After more than 15 years, Schwadorf and Helm played their very first show ever on that day, taking place at the Wave Gotik Treffen in the Pantheon of Volkspalast Leipzig. For this memorable event, the two core members put together an illustrious concert line-up, consisting of Konstanz (The Vision Bleak), Neige (Alcest), Eviga (Dornenreich), Fursy Teyssier (Les Discrets), Aline Deinert (Neun Welten) and Christoph Kutzer (Remember Twilight), who had rehearsed pieces from every creative phase of Empyrium as well as the new, so-far unreleased song "Dead Winter Ways".

Jaroslav Hutka – koncert k 75. narozeninám

'Nonsense' piece inserted between Acts Two and Three of Jethro Tull's A Passion Play, which bears no relation to the rest of The Play. In 1973 concerts, the band left the stage after Act Two and a filmed version of 'The Hare...' was shown. A spoken-word comedic interlude (narrated by Jeffrey Hammond with an exaggerated Lancashire accent) backed by instrumentation. Presented as an absurd fable, the interlude details (with much wordplay) the failure of a group of anthropomorphic animals to help a hare find his missing eyeglasses.

Recorded live, at Sao Jorge theatre, Lisboa, 27th March 2007.

Nick Lowe is a pivotal figure in UK pub rock, punk rock and new wave, Lowe has recorded a string of well-reviewed solo albums. He is best known for his songs "Cruel to Be Kind" (a US Top 40 single), and "I Love the Sound of Breaking Glass" (a top 10 UK hit), as well as his production work with Elvis Costello, Graham Parker and others. Lowe also wrote "(What's So Funny 'Bout) Peace, Love, and Understanding", a hit for Costello.

Recorded in January 2008, this DVD features outstanding live performances of some of Cara's best-loved songs. Assembling some of the finest acoustic musicians from the Celtic world in a breathtaking location on the shore of Lough Foyle in Co Donegal, the results far exceeded all expectations. The recordings are pristine and the footage captures this remarkable, intimate setting beautifully. Watching this, it's no wonder that Cara has been critically acclaimed the world over for her innovative and heartrending renditions of traditional classics such as " Black Is The Colour" and " The Streets Of Derry" plus original songs including "There Were Roses", " Never In A Million Years", "Bold Jamie" and "I Wish You Well". Included is an exclusive interview with Cara, a journey to her family's roots, a photo gallery of the film shoot and a recording of "P Stands For Paddy" performed live in McReynolds Bar in Cara's hometown of Dungiven. Format: PAL / Region: 0 / Classification: Exempt

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Pavel Lohonka Žalman & spol. na Mohelnickém Folk-Festu 2020

A conceptual short film starring Natalie Merchant as various archetypal female characters, plus a series of music videos from Merchant’s first two solo albums.

Eva Cassidy’s performance at the Blues Alley jazz club has become musical history. Twenty years on, experience for the first time every song recorded on the night of the 3 January 1996

A profile of the Hippest band of the 60's and 70's as they prepare for a reunion gig.

Playing For Change Band – Live In Brazil

Nellie Kelly, the daughter of Irish immigrants, patches up differences between her father and maternal grandfather while rising to the top on Broadway.

The highlights of the 20th Anniversary Concert celebrating the partnership between Wales' best -known political folk singer and the first international ambassadors of Welsh folk music, held at Machynlleth, Wales in October 2002.

Donnie Munro's lasts concert as lead singer of Runrig. The band bid a tearful farewell to lead singer Donnie Munro in this live performance at Stirling Castle, recorded in the summer of 1997. Tracks include 'The Greatest Flame', 'Precious Years', 'Loch Lomond' and 'Hearts of Olden Glory'.

In 2011 Jon Kenny & Pat Shortt decided to reunite for a national tour of the award winning hit show 'One Hell of a Do'. This hilarious comedy celebrates the unique talent of Ireland's most famous wedding/pub band - Tom & Gerry (D'Unbelievables) - who, on receiving an award entitled the 'Golden Microphone of the Year Award for the best wedding/pub band in Ireland' recall the hilarious happenings during the day of the Donoghue Wedding. Filmed in front of a live audience at The Royal Theatre, Castlebar in 2011

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.

This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).