Michael Van Peel: Van Peel Overleeft 2016

Tineke Schouten: Moet Niet Gekker Worden!

Tineke Schouten: Top Tien 2

Registration of the eight solo show by the Dutch comedian Sara Kroos.

The critically acclaimed Dutch theatre show filmed live on stage. This fabulous and hilarious modern revue tackles themes such as pornography, dating apps, homosexuality and ponycamps in a uniquely musical way.

The Dutch musical comedian sings and talks about art school, paintings and going underground in this posthumous released registration of his show from 2012.

Rayen Panday: Drie keer Rayen

A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!

René came across himself at some point, just as everyone sometimes encounters themselves. From that moment one cannot help but ask: "Am I still good friends with myself after this shit?"

After being emasculated at a sales conference, gay couple Reese and Peyton decide the only way to regain their confidence and prove their masculinity is to sleep with some women. When they meet fellow conference attendees and pleasure seekers Beth and Dominique, it seems like a perfect match. Unfortunately sealing the deal is easier said than done.

Hans Liberg: De Negende

A VICE Essential about the music and life of young Dutch people of Moroccan origin with the leading parts of the mocrorap.

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Karin Bloemen & Cor Bakker: De Diva & De Divan

This theatre performance is built around the 'seven corporal works of mercy'. Comedian Maarten van Roozendaal tells and sings about life, death, love, spring and bears. He is accompanied by Egon Kracht on double bass and Marcel de Groot on guitar.

In this theatre show Maarten van Roozendaal, double bassist Egon Kracht and guitarist Marcel de Groot "celebrate" the "achievements" of Western civilization. However, the ambitious pursuit of wealth, happiness and freedom also appears to have a downside.

Dutch comedian Ruud Smulders offers the spectators a peek into his thoughts.

Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.