Black Earth

Seven Latina climbers reflect on how the mountain has guided them through life’s toughest challenges. Their hearts beat as they make the first female ascents of difficult routes, climb 5,000-meter peaks, and free solo traditional routes. We journey with them through their memories and current adventures as they share stories of grief, eating disorders, domestic violence, motherhood, and bicultural identity.

SauAcker depicts the obstacles faced by Philipp, a young farmer determined to modernize his father's old-fashioned farm. His motto is "I'll do it my way". Philipp is fully committed and is even risking his relationship to attain his goals. The documentary paints a funny and charming picture of the two wayward heroes and presents an entertaining angle on the realities of contemporary society.

Toubib, 12 années dans la vie d'un étudiant en médecine

Portrait of Jean-Claude Droyer, a famous French climber and mountain guide. He is known for having participated in the rise of free climbing in France in the late 1970s. Trained at the climbing schools of Fontainebleau and Saussois, he distinguished himself in 1965 by solo climbing the Pentecôte route at Glandasse. He also made first ascents in the Verdon Gorges, winter ascents in the Prealps and the Mont Blanc massif, notably in 1971 the first solo ascent of the Directe Américaine on the west face of the Drus. The film was selected for the "Les Écrans Documentaires" festival in 2004.

Skiing Extreme I

Skiing Extreme II

Skiing Extreme III

Yûichirô Miura, the man who skied down Everest, journeys to an 8,000 foot mountain in the midst of a frozen antarctic wasteland to experience the incomparable thrill of skiing where no one has skied before.

Skiing Extreme IV : Extreme Force

In a leafy forest, a Galician sovereign who longs to attain wisdom meets a sorcerer, who tells him: “Go back to your country and study the Earth and the Stars in the sky; anywhere in the world reflects an image of it. You will ride on this arrow, which you must keep for a hundred years and a day. After this time, stick it in the widest valley of all those you possess, with the tip facing the sky. Then the Moon will come and, just as it exerts its action on the waters of the sea, it will act on the arrow, turning it into a holy mountain." - Legend about the Pico Sacro Inspired by Hokusai's views of Mount Fuji and Cézanne's paintings of Mont Sainte-Victoire, "Pico Sacro [The Holy Mountain]" aims to reveal the mystery and the magic that underlie reality.

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."

Insostenibile

The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.

"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.

Routine Pleasures, Slow Cinema.

AMAUTA

This film is a story, testimony and documentation of the forced disappearance of 43 student teachers, which exposes the criminal complicity between the police and military authorities, between the political and economic elites and criminal organizations in Mexico, which appear to be different forces, but respond to similar interests.