Who Is Arthur Chu?

Contrary to the public stereotype of a youthful homosexual community, gay men and women do grow old. Silent Pioneers presents an upbeat focus on the lives of these people today, showing them living full and diverse lives and sharing concerns on ageing, health and housing, with other senior citizens. It also considers how support networks within the gay and lesbian community have enriched and strengthened their individual lives.

Six adult siblings and the vicissitudes of fertility, infertility, and the desire - met and unmet - for a baby. Focusing on one couple's attempt to become pregnant, and the inevitable highs and lows of a year of hope and disappointment.

April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

Fists of Pride follows Little Tiger and his fellow fighters as their Thai coaches prepare them for the annual Water Festival competition. In a boxing camp on the Thai-Burmese border the children of mostly illegal migrant workers fleeing Burma live and train for prize fights. In a region where combat sports have always been a matter of honor and money, the film reveals their daily struggles. Bets are open and as the hope of prize money rizes, the young boxers contemplate what it could mean for them and their families

“Finding Hillywood” is an inspirational film about the making of the Rwandan film industry and the power of film to change and heal individuals and communities. It tells the story of how a nation, still healing from the 1994 genocide, creates a film industry as both an outlet for the pain and a way to bring entertainment and a new industry to the population. Hillywood, which is named for Rwanda’s hilly terrain, is a traveling film festival that screens films made by, about, and for Rwandans. The festival goes from town to town, setting up public, outdoor screenings, on inflatable screens, to showcase Rwandan films.

Madame Ondine performs a serpentine dance surrounded by big cats.

Lisa 'Left Eye' Lopes was the hip-hop voice of TLC, the best selling female R&B group of all time. On March 30th, 2002, Lisa decided to document her life. She filmed at a mysterious spiritual retreat deep in the jungles of Honduras, but 26 days later, after a tragic accident, she was dead and her unedited tapes were left behind. Last Days of Left Eye is the re-imagining of the film Lisa never got to complete. Revealing private moments from Lisa's journals and home movies, along with highlights from her celebrated career, this film is an intimate journey into the soul of a talented and still provocative young artist. Directed by Lauren Lazin, Academy Award nominated director of Tupac: Resurrection (2005, Best Documentary Feature), Last Days of Left Eye has screened to sold-out audiences at film festivals around the world.

Egyptian Jeanne d’Arc’ is a creative documentary that explores issues of female emancipation in ‘post post-revolutionary’ Egypt. Beginning with the return journey to Cairo of a filmmaker long absent from her own country, the film weaves a series of intimate portraits composed of interviews, poetic voice-over and dance; exploring themes of oppression, guilt and faith with Egyptian women, many of them artists. Reflecting on Carl Theodor Dreyer’s 1928 film ‘The Passion of Joan of Arc’ – in which the female figure is martyred by the patriarchal forces surrounding her – ‘Jeanne’ is a contemporary commentary that melds documentary and dance with poetic storytelling and myth to arrive at the core of the filmmaker’s enquiries into the circumstances of women in Egypt today.

A documentary that examines whether a charity organized by Pat Robertson to aid Rwandan genocide refugees was a front for diamond mining.

Alanis Obomsawin tells the story of Shannen’s Dream, a national campaign to provide equitable access to education for First Nations children, in safe and suitable schools. She brings together the voices of those who have successfully brought the Dream all the way to the United Nations in Geneva.

In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.

When his rented lot is snatched up by an opportunistic real estate mogul, Eddie Miranda and his Coney Island ride the Zipper become casualties of a power struggle between the developer and the City of New York over the future of the world-famous destination.

Ukraine's topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.

19 year old Bert sits in the shade of a tree in Yo Park. Cassandra Warrior feeds her daughter Diamond Rose. Daniel Runs Close sweats under the sun at Wounded Knee Memorial site. Kassel Sky Little puts his boots on at the Waters Rodeo. Vanessa Piper is alone in the middle of Badlands. Lance Red Cloud hangs out behind the gas station at night. It is summer and they all live here, at the Pine Ridge Reservation in South Dakota, USA.

On February th 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre from October 2nd 1968, defying the most repressive regime in the contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation, only to wander Mexico City´s streets as a vagrant.

The Muslims Are Coming follows a band of Muslim-American comedians as they visit big cities, small towns, rural villages, and everything in between to combat Islamophobia! These Muzzies not only perform standup at each tour stop but create ridiculous interventions in unsuspecting town squares, like the ol' classic, "Ask a Muslim Booth."

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.