Rey

A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.

A family prepares to meet friends.

The story of Yeshe Dolma, and her turbulent marriage to a proud warrior, Jiacuo, across half a century.

Is all that we see or seem, but a dream within a dream?

The film depicts the lives of veterans of the 1848 Hungarian Revolution in the American Civil War, based in part on an Ambrose Bierce story. The whole film was re-edited using his own method called "light editing" in order to make it resemble a damaged silent film from the late 1800s.

A woman's secret relationship is discovered putting her and those around her in danger.

Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.

Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).

In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.

Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.

Five passengers encounter a mysterious woman on a train. While we strain to hear their whispers, we are confronted by the passengers' reactions. Dark and secretive, this journey will leave you with questions playing on your mind.

An experimental summation of the connective space and sense of re-discovery between two people in a long-distance relationship.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)

An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

This is our documentary, it is about you and me. One day after you disappeared, after you sent that break-up message, I made you this video letter. A day after the military took power. In a matter of a day, you and I lost us, and we all lost a revolution. I am not angry, I am disappointed. But how does one live disappointment? What is the physical action associated with disappointment? Anger is much easier. Sadness is much easier. Hatred is the easiest. But I don’t hate you. You are too innocent to hate. We were too innocent to win. It is life.

What happens after THE END? The fable of Isabela, a phantasmagorical journey of a girl searching for her true self.

This beautiful film about the immigrant experience is a San Francisco film about Eritrea. Sephora Woldu plays "Sephora" who, like the director, is an architecture student but also a filmmaker. She is pitching to her traditional mother a film she wants to make about a man who fled their home country and ended up in San Francisco. As a recently arrived immigrant, he is terribly homesick for his native Eritrea, but will not admit it due to unease towards speaking ill of the country; and more consciously in hesitance of admitting hard truths about his culture and himself. "It’s colorful and visually whimsical in a way that can only be described as if the Wizard of Oz went to Africa," said Woldu.

In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi