Hotel Very Welcome

The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.

Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.

Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that he is not taken advantage of by people who forget that his extremely powerful intellect is harboured in the body and emotions of a child.

Four female cons who have formed a band in prison get a chance to play at a police ball outside the walls. They take the chance to escape. Being on the run from the law they even make it to sell their music and become famous outlaws.

Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.

The owner of a seedy small-town Texas bar discovers that one of his employees is having an affair with his wife. A chaotic chain of misunderstandings, lies and mischief ensues after he devises a plot to have them murdered.

When Sam, a woman mired in regret, goes to visit her aged parents, the disappearance of her mother's pet bird threatens to unravel her tenuous hold on life.

11-year-old Ena meets a young fisherman in a port. He gives her an eel and they arrange to meet the following Sunday on the other side of the lake. She has to be there.

Fifteen-year-old Sarah has returned to Colmar, where she has taken up high-performance figure skating and competition. The rivalry between the girls and the trainer's harsh words put her body to the test on the ice, while her adolescent desires distract her from her athletic ambitions.

"White Water" is a short drama about lumberjack country. Nell Shipman plays a girl in love with nature and animals. One day she meets a crippled boy, who sings for pocket change. When she finds out that the boy is badly malnourished, Nell Shipman takes him under her wing and finds work for his elder brother. Then one day disaster strikes when the boy, who can't swim, falls into the river and is carried downstream. Nell Shipman jumps in a canoe and paddles frantically to reach the boy before the current takes him to the rapids, where mortal danger awaits.

Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.

To ease her homesickness Miriam recreates an aspect of home in her suburban British garden. Cultural memory exerts a healing power, combatting cultural appropriation, hostility towards migrants and the rift between Miriam and her Nigerian-British children.

In early 19th century England, orphaned Becky Sharp defies her poverty-stricken background and ascends the social ladder alongside her best friend.

Antonin and Leonor are hunting larks. He is as submissive as his sister is voracious. One day, a dog attacks them.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A nurse's aid, Cathy lives alone. Too alone. When her sister, with whom she's had a falling-out, calls her for her birthday and invites her to the beach, Cathy is exhilarated. But the day gradually slips away from her.

Following the death of her mother, a young woman returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.

Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.

During the 1930s in England, a group of young socialites dominate the national gossip with extravagant and outlandish antics. Among the group is the aspiring novelist Adam Fenwick-Symes, who is attempting to raise enough money to marry fellow member Nina Blount. However, after customs officials confiscate his first manuscript, Fenwick-Symes must recover from the financial setback and figure out new ways to earn money for a wedding.

Yerma is desperate to have children, so when a psychic advises her to look outside her marriage to conceive, what can she say but yes?