Out to Lunch

A misfit band of monsters finds meaning in the most mystical holiday of the year. A vampire and his monster minions run an obscure Transylvanian television station with the improbable power to reanimate dead TV shows. World domination is just around the corner, once they figure out how to get more than a.0002 rating.

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

On a stormy night Caleb decides to box away his past but little does he know what power lies inside the box that risk him and his friends lives.

Fozzie Bear surprises his mother on Christmas Eve by bringing the entire Muppet gang to her farm to celebrate the holidays. Doc and his dog Sprocket, who had planned a quiet Christmas, end up joining the Muppets in their holiday activities and preparations. The Sesame Street and Fraggle Rock regulars join the festivities, but to Kermit's dismay, the only one missing is Miss Piggy, who has been caught in a snowstorm.

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

One dark and stormy night, Rupert is called on by a mysterious stranger who gives him a ship in a bottle...with a tiny living man onboard! He frees the man, who turns out to be the evil warlock, Mordo, who kidnaps Amelia and takes her back in time to 1640. Rupert calls on Miss Switch for help in this new adventure.

When Rupert and his friend Amelia find the new substitute teacher doing odd things, they discover that she is actually a witch with a magical talking cat who sought them out in order to stop an evil coven of witches from destroying her.

Four puppets that can't leave their house because of quarantine, decide to make a short film, but they have no idea what to make it about.

The first-ever Disney+ "This Is Me" Pride Celebration Spectacular, hosted by Nina West and directed by Ann Marie Pace, with incredible musical performances by Alex Newell, DCappella, Frankie Rodriguez and Joe Serafini, Hayley Kiyoko, Jackie Cox, Jesse James Keitel, Kermit the Frog, Michael James Scott, Todrick Hall, and Nina West.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

The program was the first so-called "Television Spectacular". Ford presented the show without commercial interruption. It is believed to be the first time that Edward R. Murrow appeared on NBC in a professional capacity. Also, in 1953, it was necessary for Ford to buy time on two networks to ensure maximum coverage of US TV households - at the time, neither CBS nor NBC reached 100% of them. The famed 1953 television special celebrating the Ford Motor Company's 50th anniversary brought together two of the greatest leading ladies Broadway has ever known. The highlight of the program is Merman and Martin’s 13-minute duet medley, where they sing the songs that made them famous, plus much more. On their own, Merman sings “Alexander’s Ragtime Band” and “Mademoiselle from Armetières” and Martin performs a brilliantly comic routine about changes in fashion over the first half of the 20th century.

Raising money and awareness for Color of Change and José Andrés' World Central Kitchen supporting Black Lives Matter and COVID-19 relief efforts.

Bob Hope tours China, takes in the culture and meets up with Big Bird, Crystal Gayle, Peaches and Herb, and others.

Three children visit their friend Bethie's clubhouse where they are encouraged to be as silly as possible as long as they learn and do well in school. Everything is silly at Bethie's clubhouse, the door tells knock-knock jokes, the books jockey to be read first, and the TV reminds Bethie when her favorite show "Ivana the Iguanna's Beauty Tips" is on. Add to that an assortment of silly visitors like Kitty Kat Man, Captain Schnorer the Worldwide Explorer and various talking animals who all break into wonderful musical numbers while educating the kids.

When the seventh shogun, Ietsugu died, shogunate officials chose Yoshimune, Lord of Kishu, to succeed him. Since then Yoshimune has led a double life.In court he remains a dedicated leader, but outside he travels incognito as a wandering swordsman, seeking out crime and corruption. With his trusted friends and his ninja, he’ll expose anyone who perverts the shogun’s justice and oppresses his people and he’ll ruthlessly put them down with his lightning-fast sword. But since he became shogun, many high-placed officials look on with jealousy, and long to destroy him. One such man, Lord Owari, tries to unseat Yoshimune by exposing his mother as a practitioner of an outlaw religion, Christianity, an offense punishable by crucifixion!

A Halloween-themed television special starring Paul Lynde which aired only once on October 29, 1976 on ABC. It features guest stars including Margaret Hamilton (who reprises her role as the Wicked Witch of the West), Billie Hayes (as Witchiepoo from H.R. Pufnstuf), Tim Conway, Roz Kelly, Florence Henderson, rock band KISS, Billy Barty, Betty White and, in an unbilled surprise appearance, Donny and Marie Osmond.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Luna Petunia and the Amazia gang are throwing a party for a very special friend. Everything is perfect for the birthday surprise. And you're invited.

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.