Ghost Guns

With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.

Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.

A US marshal goes undercover to bust up a bunch of rustlers.

Dan Stanton and Condon are foreclosing on a group of ranchers in order to gain a land-monopoly. They have one of the ranchers, whose property supplies the others with water, killed. Ann Jennings, niece of the rancher, sends for U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins, who organize the ranchers who take over the dead man's property and blast the dam releasing needed water to all the ranchers. Nevada and Sandy, aided by the sheriff, round up Stanton, Condon and their gang members.

Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.

A prospector discovers natural cement and suggests it should be used for a new dam. But this is the last thing the badmen of Trail End want, as they have a monopoly of the wagons needed to haul rocks to the site. A pretty sheriff notwithstanding, it's a job for a singing marshal.

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.

At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.

Carl Beldon has disappeared and the Trail Blazers have been sent to investigate. Arriving in town, they find that 'Honest John' controls everything. He even prints his own money. He also has a gang and they set out to finish off the heroes.

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

The first of a long-running series of Monogram-produced westerns starring Johnny Mack Brown and Raymond Hatton that replaced the Rough Riders series following the death of Buck Jones in the Boston night club fire. Though the next three years featured Brown (as Nevada Jack McKenzie) and Hatton (in his Sandy Hopkins role from the Rough Riders series) as undercover marshals in some form or another, this initial entry had Brown as a lone rider seeking vengeance and he and Hatton's characters were unknown to each other through most of the film. Hopkins offer McKenzie a marshal's job at the end of the film, which the Brown character declined and rode off alone on his quest. This quest didn't take long as by the next film in the series Nevada Jack McKenzie was a full-fledged U. S. Marshal.

Tom Evans (Jon Dawson), nephew of U.S. Marshal Sandy Hopkins (Raymond Hatton), has just trailed his cattle to Yucca City, where he intends to sell to Ben Crowley (Harry Woods), owner of practically everything in town.Tom loses his money in a crooked game ran by Crowley. "Nevada Jack" McKenzie (Johnny Mack Brown), a U.S. Marshal working undercover, watches the game and secures one of the "fixed" decks of cards. Later, Tom discovers Crowley's men rustling his cattle and is shot. Nevada finds him severely wounded and hides him with Jeff Lewis (Sam Flint) and his daughter Mary (Ellen Hall). Sandy, posing as a dentist, arrives in town after a wire from Nevada. The latter confronts Crowley with the crooked deck and also with the fact that Tom is still alive, and demands a partnership from Crowley. When Crowley learns that Lewis is hiding Tom, he decides to have both Tom and Nevada killed.

A Western-genre narrative, loosely woven from old clips from B-Western features.

Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.

Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).

Lawman Wyatt Earp and outlaw Doc Holliday form an unlikely alliance which culminates in their participation in the legendary Gunfight at the O.K. Corral.

John Clark (Bob Steele) and his deaf pal, Bootch Collum (Buck Connors), are trailed by U. S. Marshal Lamar Bly (Jack Rockwell)...

Notorious shootist and womanizer Quirt Evans' horse collapses as he passes a Quaker family's home. Quirt has been wounded, and the kindly family takes him in to nurse him back to health against the advice of others. The handsome Evans quickly attracts the affections of their beautiful daughter, Penelope. He develops an affection for the family and their faith, but his troubled past follows him.