Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
By the time "It's A Mean Old World" was filmed, Reverend Pearly Brown had been struggling to survive singing gospel music for nearly 40 years. While the rough sound of his bottleneck playing has the feel of a life spent scuffling on the street, the poignancy of his voice is a better measure of the gentle spirit and inner strength of the man.
Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.
Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyokhin and Konstantin Speransky, who have been performing together since 2003. Blending classic literature references, mind-bending introspection, musings on modern love and an ironic attitude to their act, they create what faithful fans and listeners call “existential rap.” The film follows Makulatura on tour through several Russian cities.
The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."
Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.
Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and skin. About being different genetically, about gay gingers, doubly in a minority, from Ireland to Israel to Brazil. A film made especially for ginger lovers.
Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.
Ten of Muhammad Ali's former rivals pay tribute to the three-time world heavyweight champion.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.
A documentary on the competition for student body president at New York's Stuyvesant High School. As the notoriously competitive school's election draws near, the campaign becomes a microcosm for the nation at large, with race, gender and appearance vying for attention with real issues.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
The comparison of two rural families to demonstrate the need for proper hygiene and the consequences of its neglect.
For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.
A Swedish short film taking us inside Värmdö church for the Christmas holiday.
"Grow a Better Dallas" is a short documentary film showcasing South Dallas' Restorative Farms, a registered non-profit offering restorative justice and urban agriculture solutions to the "food desert" problem in South Dallas. Restorative Farms offers the ability for rehabilitation and therapeutic solutions to individuals with criminal backgrounds to come and contribute as employees to the farm. Restorative Farms was co-founded by Tyrone Day, who was falsely incarcerated for over 26 years.