Le réveil des ombres

Highlights the rebellious young generation of artists in China fighting for political emancipation, artistic freedom and creating a cultural golden age during the 1980s - a significant decade of transformational change. Interweaving six main characters' memories with the director's personal narration, the film embarks on an emotional journey and tells a story of being passionate and idealistic before dreams are dashed to pieces.

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

Draussen bleiben

Joris Ivens and wife Marceline Loridan took their cameras into Pharmacy No. 3 in Shanghai, which in addition to dispensing drugs manages an outreach program of medical services, an extension of the pharmacy’s in-house medical care center.

The true story of the seven weeks that changed China forever. On June 4, 1989, pro-democracy demonstrations were violently and bloodily repressed. Thousands of people died, but the basis for China's future was definitely planted.

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.

Tibet - Les nourritures terrestres

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

In a mountainous region of Sichuan, best known for pandas and earthquakes, there are no roads, no cars, no buses. But there is … a train. This documentary tells the story of the last working narrow gauge steam railway in China.

Undercover in Tibet reveals the regime of terror which dominates daily life and makes freedom of expression an impossibility. Tash meets victims of arbitrary arrests, detention, torture and ‘disappearances’ and uncovers evidence of enforced sterilizations on ethnic Tibetan women. He sees for himself the impact of the enormous military and police presence in the region, the hunger and hardship being endured by many Tibetans and hears warnings of the uprising taking place across the provinces now.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

The documentary film of the brief window of artistic freedom and democracy movement 1978 - 1982 following China's brutal cultural revolution.

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

At Evergreen Primary School in Wuhan, China, a Grade 3 class learns what democracy is when an election for class monitor is being held. Three children are chosen by the teacher as candidates and they have a few days to campaign and convince their classmates to vote for them. The little candidates are seen at school and at home, where their parents do their best to make sure their child will win the election.

Follows Long Island’s Mary Lamont Band on their groundbreaking 23,000-mile tour in six cities and provinces across mainland China in 2002.

As a young missionary, Richard Wilhelm in 1899 to China, which was then exploited by the colonial powers. He lived there revolts against foreigners, the end of the imperial dynasties and the First World War. In these times of turbulent upheavals he was indefatigable in search of the deepest truth that helps people deal with change and able to shape their own lives. Richard Wilhelm baptized not only Chinese, but accomplished one of the largest translation services of the 20th century: Confucius, LAOTSE the most important texts of Daoism and especially the I CHING THE BOOK OF CHANGES. The book also served many readers in the West as inspiration. Wilhelm is still one of the most important mediators of Chinese culture in Europe.