One Thousand Ropes

On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.

Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

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Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.

Kye-na, an average woman in her late twenties, holds a steady job and a committed boyfriend, Ji-myoung. Yet instead of feeling content, she constantly faces uncertainty, confusion and anxiety. While struggling with personal relationships and life's woes, Kye-na finally embarks for New Zealand despite everyone’s dissuasion on leaving her home behind.

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Thick, deadly smog blankets the globe, reducing visibility to less than a few metres. In a secluded farmhouse, a woman and her overbearing husband attempt to find resources and survive using a series of walking trails crafted from ropes and stakes. One night, the woman is alerted to the presence of someone or something else deep in the smog. Desperate to escape the farmhouse, the woman attempts to meet the unknown and risk everything to leave her loveless and abusive relationship behind.

Based on the treatment of Pacific Island families during the New Zealand Dawn Raids of the 1970’s, this short is an intimate look into a police raid, as told through the eyes of a young girl Losa and her father Lupematasila.

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