Come Swim

A girl longs for her mother, narrating a letter she wrote to her as she explores the struggles of distance learning. Made as a project for a tenth-grade performance task. Shot entirely on iPhone 6.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Bridget Jones is an average woman struggling against expectations. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. Her charming boss takes an interest in her, and she cannot stop running into a rather disagreeable acquaintance whom Bridget cannot help finding quietly attractive.

Dr. Rafael invites one of his patients, a man incapable of physical contact with others, to a card game.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

Edward G. Robinson talks to the audience about the history of gangster films and introduces his latest vehicle.

Set in a satirical vision of modern Britain, Hadrian is a young and ambitious civil servant who arranges to receive Greek lessons in preparation for a government promotion which will see him steer British economic policy throughout Greece. But when he meets his teacher Maria, she asks that instead of payment, Hadrian exchanges an hour of his time each week to help her prepare for a citizenship exam that offers potential promotion from Class B to Class A immigrant.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Why are gooseberries so much more valuable than deer trees and why did the Sami men lay naked on the marsh in the past? How do you respond to a mock execution and what is actually panic attack? Ella and Moa are two girls with more questions than answers and during a summer night they approach a little cautiously of their Sami origin. —Jonas Selberg Augustsén

Lucille, an introverted eleven year old girl, live with her parents, who are caretakers of the swimming pool in which they stay. Because of the weirdness of this place, which looks like a flying saucer, an awful anguish comes out of Lucille's mind. The "unidentified frightening object" of her confusion would happen to be even more obsessing than all fears of childhood.

Andrea, a young woman in her early twenties, attends the party of her best friend Alan, where she has an unexpected encounter with Diego, a guy she used to have a relationship with. This plunges her into a whirlwind of feelings and memories.

Winter of 1921. After fighting for France for four years, the combatants of Bizkarsoro (Lower Navarre, France) have returned from the battlefront. Like the yellow star of the Jew or the ear of the Cagots, children who speak Basque are marked with an stick called ANTI.

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

그 누구의 딸

Mexico. 1940. The agent of the People’s Commissariat of Internal Affairs (NKVD) Ramon Merkader comes to the house of Leon Trotsky. Under a long leather raincoat he hides an ice pick. He is here to kill the unsuspecting Russian revolutionary. Moscow. 2019. The modest honours pupil Yura helps his schoolmate Masha in history. They just study Merkader’s murder of Trotsky. The uninhibited Masha decides to tempt nerdy Yura. The director of studies comes into the classroom in the most intense moment. Afterwards the school principal calls in the class teacher of Masha and Yura for a talk. He considers that such an irresponsible teacher has no place at the school and is set to dismiss her. The school bell rings. As if by magic, the endings of these three stories intertwine, giving rise to a new surprising reading of the known events.

A 14-year-old pursues romance with a man while vacationing with her family in Switzerland.

In a time when love between two men is still unaccepted. They choose to hold their own wedding not for recognition but to live their truth and find happiness on their own terms.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

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