My Rainy Days

Set against the backdrop of Trinidad and Tobago’s mystical Carnival, a gifted and struggling young man becomes the object of intrigue for an older, well-meaning businessman until their worlds collide.

Martha und Karl

Umbra is a scientist who wants to prove his theory that human beings are ruled by chance and devoid of any purpose, and as a consequence some become evil and cruel.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

The film tells the story of sixteen-year-old Nena, who is confronted with the suicide attempt of her handicapped father. At the same time she falls head over heels in love for the first time in her life with Carlo, whose father has just outed himself. Away from prying eyes of the adults - who struggle with failed marriages, blossoming love and insufferable physical decline - they push the boundaries of their friendship, love and sexuality. But while discovering her own lust for life, Nena realizes that her father's existence is becoming more and more unbearable.

A young man is transformed from criminal to local hero.

You left your home to move far away. You were struck by a wind of change and were unfaithful to yourself. You reinvented yourself and you are now feeling free. But suddenly pressure arises in you.

Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Soviet film director Oleksandr Dovzhenko, who was born on the ancient lands of Chernihiv, along the banks the Desna. The film consists of two parts. The first is the world shown through the impressions of the six-year-old Sashko. The second is the recollections and reasoning of Sashko, now an elderly colonel who liberates his native village during the war.

A biological mother, Sara, and a foster mother, Virginia, share a girl. Sara lost custody due to problems with alcohol and drugs. Five years later, the girl is returned to her.

Europa is a 12-minute anti-fascist film made in 1931 in Warsaw, Poland by surrealists Stefan and Franciszka Themerson. The film is based on Anatol Stern's 1925 futurist poem Europa. It uses collages and photograms, and articulates the sense of horror and moral decline its makers were witnessing. The film, while long thought to have been lost, is considered an avant-garde masterpiece.

A task force is sent to a small country town to investigate a shocking crime.

Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.

A film within a film that explores love in all its painful and messy glory. Six months ago Zoe and Mal fell for each other while filming a love scene, which led to an intense, whirlwind affair, followed by a devastating breakup. Soon after their split, things get complicated when the two have to meet on set once more to re-shoot that fateful sequence.

Charles is a bored civil servant struggling through a harsh Utah winter. He spends most of his time reflecting on his romance with Laura, a coworker who left him to return to her husband, an A-Frame salesman.

A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.

The Turguts are a modern, tech-savvy family: Emma, her husband Amir and their son Malik live in a state-of-the-art smart home. Emma relies on smart technologies not only in the house, but also in her work as a psychotherapist. In order to be able to help more and more people, she is helping to develop an AI-based therapy app. However, as the first practical phase begins, initially minor but soon serious incidents occur with the networked and omnipresent technology.

Dawn isn't like other kids her age full of typical teenage angst about boys, school and parents. Her pain goes far deeper, and to deal with her emotional overload she physically cuts herself. The problem of adolescent girls committing self-mutilation is very real, and this movie exposes the growing epidemic. It's a film you can't afford to miss.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.