An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
Kyō Kara Ore Wa!! The Movie
In the dawn of the Meiji period, the Gokumonjou, an inescapable prison, has been established in the middle of an enormous lake to counter the soaring crime rates the new era has brought. Serving as the ferrymen are the famous Kumou brothers: the eccentric family head, Tenka; the reckless but noble second son, Soramaru; and the guileless youngest, Chuutarou. In spite of their grim work, the three lead relatively peaceful lives in the ever-cloudy town of Oumi, together with their housekeeper, Shirasu Kinjou. But buried in the long history of Oumi is the legend of the terrifying "Orochi," a serpentine beast that awakens every three hundred years in a human vessel. Unbeknownst to Soramaru and Chuutarou, the actual job of the Kumou family is to seal the Orochi away before it fully revives—or the world will be plunged into destruction. Amid the monster's next resurrection, the Kumou family must find the resolve to keep laughing under the clouds.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
Deceived that he had won the Prize, Connor MacLeod wanders through the world; however, he is awakened from his peaceful life when an entombed immortal magician, Kane, escapes and comes seeking the Highlander.
It's been three months since the Sacred Sword War ended, & Kojiro and Ryoma are nowhere to be found. Back at the villiage of the Fuma clan, a group calling themselves the "Shinsei Fuma clan" forms, calling for an end to the clan of old... And those who are not with them are considered the enemy.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
After the previous Godzilla attack, a miniature arms race ensues to collect his cells. Concerned over Godzilla's possible return, the Japanese government uses the cells to create a new bio-weapon, ANEB (Anti-Nuclear Energy Bacteria). They seeks the aid of geneticist Genshiro Shiragami, who's experiments result in a new mutation.
The ninth and final film in the Contemporary Tales of Chivalry series.
One rainy night in the Edo period, Kotono (a geisha) confronts samurais who killed her father. The samurais attack her one after another, but she fights hard against samurais with her sword. Kotono tries to chase the samurais who scramble to escape. Yet now three ninjas stand up against her. Kotono drops her sword by their wave of assaults. Can she beat them?
A number of children are being well fed, taken care of, and pampered at a very meticulate and managed orphanage. The facility and grounds are impressive, but the wall acting as a barrier is high. There is a secret to the place and once revealed to several orphans, they're desperate to escape.
This is the sixth film in the Brutal Tales of Chivalry series
The Japanese government sets up a special task force to fight the giant creatures suddenly appearing across the country. Soon, the squad unexpectedly meets a giant silver humanoid who starts appearing every time a space monster attacks!
A peaceful ex-ninja's life shatters when his son's kidnapping forces him back into violence amid an American-Japanese criminal drug war.
In 2001, where all correctional facilities have been privatized, martial artist Ricky finds himself victim to the corrupt system, found "guilty" of the manslaughter of an infamous crime boss.
There are three kinds of swindler. One, called the "WHITE SWINDLER", finds a mark and steals money. The "RED SWINDLER" preys on the other sex and steals a mark's body and soul. Then there is the "BLACK SWINDLER". Ignoring ordinary marks, targeting only the white and red swindlers, and preying on their flesh grown fat and corrupt with the money they have stolen, he is the worst of them all. There is a boy who once became a victim of a swindler and lost his family. Later, he turns into the most hideous "black swindler" to deceive only other swindlers. His name is Kurosaki. This time, he is requested by Reiko, whose daughter is sick, to hunt down a swindler named Ishigaki, who has defrauded her of money. But, behind Ishigaki, there is actually a bigger swindle which has even destabilized the Japanese economy…
A mysterious international crime organization makes a demand of 900 million yen from the Japanese government for the release of hostages. The group then targets a victory parade of a world sports game to commit indiscriminate terror.
Wishing to find peace, Zatoichi travels to his old village but only finds trouble when he ends up in a love triangle and finds old scores have followed him home.
After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.
Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.