Die anonymen Mobiholiker

He lives in a white expanse, where a monotonous balance reigns and with cheerful indifference wanders through a uniform whiteness. The exit from the enclosed space is hindered by the lack of contact…

The path is known to all, but few follow it. Rising Hope – once the fastest horse in the race, tries to be one of the few.

People who have lived in Afghanistan all their lives turning what others would see as nothing more than wastewater into a sea.

A Girl listening to the radio from home, a Woman Walking at Her Workplace. The camera follows their steps in parallel, focuses on the mirror they look at, putting lipstick on. Inside the Court mistreated Women telling their stories. On television, the report of a terrorist attack, outside, in the city. Mrya Basher is the first woman in Afghanistan to have become a senior provincial investigator officer, a high-responsibility position woman are often considered incapable to carry. By actively supporting mistreated young women she puts her life in serious danger.

Experimental short documentary

A 14-years-old girl begs for money on the street with her mother. A guy about the same age gives them a coin every day he passes by, pushing his bicycle. Days are passing by, all the same, the call of the mosque scans time. One day the mother dies. The girl now begs alone for money and wears her mother's burka. The young guy passing by this time gives the girl a flower instead of a coin.

Five strangers wake up in terror. Tied and bound, they are determined to figure out what happened to them. None of them are prepared for what they are about to witness.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Cris Superstar

Early film of a crowded street scene in an unidentified Indian city.

Documentary about the ancient rites still practiced in rural Latvia.

Turquoise and maroon-toned thin lines of paint are interspersed with variously toned circular "watermarks" of blotched paint giving-way to multi-colored brush strokes and finally fulsomely darkened and thickened brush-strokes which then thin to something akin to the beginning.

Interplay of toned rectangular shapes, vertical and horizontal and diagonal lines in juxtaposition with hardened darker shapes which gradually shift tone and lighten until ending on thin blues.

Many white interruptive frames and absolutely straight-edged multi-colored lines amidst "clouds" of color, finally thickened into blobs with lengthy white (clear leader) spacing between them.

Much depth of multi-colored thickened shapes which appear to be superimposed upon each other, semi-transparent in their "weave" with each other which is increasingly interrupted by ragged-edged blobs and smears of color.

This section is very similar to Prelude 4 except that it is composed of extremely thin-lined colors and sharply delineated shapes which are constantly interrupted by "cloud"-like forms.

Interplay of mostly horizontal lines inter-woven with "watermark" forms in a wide variety of tones which gradually tend to dissolve into blues at the end.

The ocean, the trees, the varieties of cityscape and landscape assert themselves as "pictures", but the images are essentially a wash and tangle of nervous feedback, sometimes influenced by the colors of inlet waters, sometimes the wave movements, but more ordinarily by the cellular shifts and shapes of the optic system receiving exterior imagery.

part of the Preludes series (1996)

part of the Preludes series (1996)