Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963). Preserved by the Academy Film Archive in 2012.
An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.
Three young ladies perform yoga without clothes in the open air of Cyprus. Another does the same in a studio. These visuals are interspersed with images of Eastern art, processed for "psychedelic" effect. The narrator relates the practice of yoga to Buddhist philosophy. Preserved by the Academy Film Archive in partnership with British Film Institute in 2012.
Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.
Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.
Documentary short film detailing the history of the American Women's Army Corps, the WACS. Preserved by the Academy Film Archive, Academy War Film Collection, in 2009.
The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.
Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.
Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.
Brooklyn, U.S.A. is a 1947 English language short film directed by Arthur Cohen, starring Ted de Corsia. It was nominated for an Oscar in the category of Best Short Subject, One-Reel. Preserved by the Academy Film Archive.
United Nations, 1947 - In this film one crippled child learns to walk: first to move, then to stand, and finally to take his first steps. The film deals with modern techniques of physiotherapy, and the need to develop the whole child - his emotions and his mind as well as his muscles - is stressed. Skilled adult workers offer not only massage and therapy, but also love and understanding, and occupational therapy for children and takes the form of both play and work. Movements learned become part of the daily jobs of feeding and dressing. Early attempts to walk are made with the help of apparatus. Finally the initially hesitant steps on his own are taken. As the film ends the boy walks. Preserved by the Academy Film Archive in 2005.
Toward Independence is a 1948 American short documentary film about the rehabilitation of individuals with spinal cord injuries. Preserved by the Academy Film Archive in 2005.
The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.
Documenting the maiden voyage of the SS Hope, a hospital ship operated by Project HOPE, where it brought medical care to Indonesia and South Vietnam in 1960-1961.
An atmospheric tribute to the genius of Welsh poet and dramatist Dylan Thomas, using many of the windswept locations where Thomas himself grew up and found his inspiration. The film is hosted/presented by Richard Burton, Thomas's friend, who narrates the story and appears from time to time amidst the Welsh landscape. Burton had already appeared in Douglas Cleverdon's acclaimed BBC radio dramatization of Thomas's 'play for voices' Under Milk Wood in the 1950s and, in the early Seventies, would appear in director Andrew Sinclair's film version as First Voice. Preserved by the Academy Film Archive in partnership with The Film Foundation and National Screen and Sound Archive of Wales in 2000.
While at his workshop in Puerto Rico, Pablo Casals prepares to conduct a Bach suite for a concert performance. Oscar Winner for the category "Best Short Subject, Live Action Subjects". Preserved by the Academy Film Archive in 2013.
Children Without is a 1964 American short documentary film directed by Charles Guggenheim, about a young girl and her brother growing up in the housing projects of Detroit. It was nominated for an Academy Award for Best Documentary Short. Preserved by the Academy Film Archive in 2016.
This film examines the reasons why the United States decided to engage in the Korean War. Scenes describe Russia's attempt to gain power following World War II (Korea included), and its refusal to allow free elections in the country. Footage shows Soviet-backed North Korean troops' movement into South Korea on June 25, 1950, the United Nations' response, and the armed struggle against both North Korean and later Chinese troops led by General Douglas MacArthur. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2005.
Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are shown painstakingly learning what words are through exercises and games, practicing lip-reading and finally speech. Richard Burton's calm and sometimes-poetic narration adds to the heartwarming cheerfulness and courage of the children. Preserved by the Academy Film Archive in partnership with British Film Institute in 2005.